Menu
The New Contemporary Art Magazine

Opening Night: “EVERLAST” by Mark Dean Veca at Western Project

HF Vol. 23 artist Mark Dean Veca celebrated the opening of "Everlast" (previewed here) last weekend at Western Project, Los Angeles. His pop culture fused, immaculate paintings and drawings are inspired by 1970s signage and cartoons. Looney Tunes characters like Tweety and the Tasmanian Devil are literally given a new twist in Veca's style, whose linework makes them appear twisting and organic. The psycheldia of the 70s is also apparent in his Fender and Zildjian logos, breathing attitude into these corporate identities. Photos after the jump!

HF Vol. 23 artist Mark Dean Veca celebrated the opening of “Everlast” (previewed here) last weekend at Western Project, Los Angeles. His pop culture fused, immaculate paintings and drawings are inspired by 1970s signage and cartoons. Looney Tunes characters like Tweety and the Tasmanian Devil are literally given a new twist in Veca’s style, whose linework makes them appear twisting and organic.

The psycheldia of the 70s is also apparent in his Fender and Zildjian logos, breathing attitude into these corporate identities. Veca shares, “For years now I’ve been interested in the negative space in and around letter-forms, particularly logos in a certain script, like the Fender logo. When I see these spaces I get an urge or compulsion to define and articulate them, to make them the figure, not the ground.” Other words such as Liquor Mart and Breakfast Burritto are more specific images to his childhood in San Francisco, which remains to be an important influence on his work. Through simple but powerful changes of shape, color, and font, Veca is able to evoke emotions with visual design.

“Everlast” will be on view at Western Project, Los Angeles through November 29.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Illustrator Selin Çınar crafts unexpected elements tucked inside familiar forms. Creating work under the moniker “Axstone,” the artist is able to move between the worlds of exhibiting and character design. She also implements varying techniques in the pieces, with elements of pointillism, clean linework, and a less controlled approach sometimes appearing in the same piece. Çınar is a member of the illustrator collective Krüw.
Japanese pop artist Keiichi Tanaami (previously covered here) has a new exhibition on view at Tokyo's underground gallery, Nanzuka. "Cherry Blossoms Falling in the Evening Gloom" is named after his show's titular piece, an effort to take the darkest of his personal experiences and turn them into a positive image. The 3-meter painting leads into a transformation in the artist's motifs, known for his glowing, grotesque creatures, which are shown emitting light.
UK graphic designer and artist Chris Labrooy riffs on custom car culture in his latest digital illustration series, "Tales of Auto Elasticity." A follow-up to last year's "Auto Aerobics," in which Labrooy placed his bendy, sculptural low riders in a city park, "Tales of Auto Elasticity" shows pick-up trucks with yogic flexibility bending to extreme degrees in a rural parking lot. Though Labrooy's work exists only on the computer screen, it evokes sculptures like Erwin Wurm's pudgy sports cars (featured in HF Vol. 22) and Ichwan Noor's Beetle sphere (covered here). Perhaps Labrooy should consider sculpture as his next step.
The work of Cezar Berje straddles that difficult line between utterly absorbing and repulsive. In his illustrations, he uses his immense talents with color and detail to create portraits that warrant study. His projects for companies like Netflix and the Hangloose surf brand show how this sensibility can adapt. Berje has a particular knack for recontextualizing pop icons, absorbing them into his colorful, unsettling world.

Subscribe to the Hi-Fructose Mailing List