HF Vol. 23 artist Mark Dean Veca celebrated the opening of “Everlast” (previewed here) last weekend at Western Project, Los Angeles. His pop culture fused, immaculate paintings and drawings are inspired by 1970s signage and cartoons. Looney Tunes characters like Tweety and the Tasmanian Devil are literally given a new twist in Veca’s style, whose linework makes them appear twisting and organic.
The psycheldia of the 70s is also apparent in his Fender and Zildjian logos, breathing attitude into these corporate identities. Veca shares, “For years now I’ve been interested in the negative space in and around letter-forms, particularly logos in a certain script, like the Fender logo. When I see these spaces I get an urge or compulsion to define and articulate them, to make them the figure, not the ground.” Other words such as Liquor Mart and Breakfast Burritto are more specific images to his childhood in San Francisco, which remains to be an important influence on his work. Through simple but powerful changes of shape, color, and font, Veca is able to evoke emotions with visual design.
“Everlast” will be on view at Western Project, Los Angeles through November 29.
The bullfight has always been a ritual of extreme occult significance, heavily loaded with allegory. The primary meaning of the bullfight concerns the triumph of man over our own primal nature. Los Angeles based artist 
Vaughan Oliver, the artist behind so many memorable LP covers from 4AD, has died at 62. Bands in his body of work include The Breeders, Pixies, Scott Walker, TV on the Radio, Lush, Cocteau Twins, Modern English, The Mountain Goats, and several others. His sensibility played an enormous role in the public-facing aesthetic of the label, from his entrance to the label in the 1980s on. He produced the art for every Pixies album so far.
Illustrator 
UK graphic designer and artist