Menu
The New Contemporary Art Magazine

Studio Visit: Behind the Scenes of David Choong Lee’s “Cosmic Dust”

Originally from Korea, David Choong Lee (featured in HF Vol. 30) has been a staple of San Francisco's art scene for the past 20 years. Known for his elaborate assemblages composed of individual paintings on boxes on different depths, Lee deftly blends figuration with abstract dreamscapes, inserting realistically-rendered figures into explosions of shapes and kaleidoscopic colors. For his latest body of work, however, Lee emptied his paintings of human presence. His solo show "Cosmic Dust," opening at Luna Rienne Gallery in San Francisco on September 13, will feature a series of acrylic paintings on canvas that focus on Lee's intergalactic worlds — untouched and uninhabited. Honing in on the psychedelic imagery that once served as a background for his figures, he unfurls pools of liquid rainbows, mysterious glowing orbs and powerful beams of light. His new work gives the sensation of touching down on another planet.

Originally from Korea, David Choong Lee (featured in HF Vol. 30) has been a staple of San Francisco’s art scene for the past 20 years. Known for his elaborate assemblages composed of individual paintings on boxes on different depths, Lee deftly blends figuration with abstract dreamscapes, inserting realistically-rendered figures into explosions of shapes and kaleidoscopic colors. For his latest body of work, however, Lee emptied his paintings of human presence. His solo show “Cosmic Dust,” opening at Luna Rienne Gallery in San Francisco on September 13, will feature a series of acrylic paintings on canvas that focus on Lee’s intergalactic worlds — untouched and uninhabited. Honing in on the psychedelic imagery that once served as a background for his figures, he unfurls pools of liquid rainbows, mysterious glowing orbs and powerful beams of light. His new work gives the sensation of touching down on another planet.

This is Lee’s first abstract body of work, and one that he considers very personal. While he refers to realist painting as a testament to his skill, when I visited his San Francisco studio space he seemed excited yet hesitant to show his new paintings to the world. “When someone understands one of these paintings, it’s like they’re hugging me really deep from inside,” he said. Unlike his past work, his new imagery stems entirely from his imagination and is the result of laborious studies: painting and rearranging over and over to develop a new visual vocabulary. Lee began to shift his gears from realism to abstraction about five years ago and has finally gotten to a point where he is ready to open a new chapter in his practice. Though he’s a veteran of the art world, he’s just getting started.

“Cosmic Dust” opens at Luna Rienne Gallery in San Francisco on September 13.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Shortly after his last solo show in February, we had a chance to visit Taylor McKimens' studio in Brooklyn. The show, which was organized by his long-time supporters, Bright Lyons, featured a collection of commissioned paintings that were created during the last seven years. Not only was this McKimens's first New York show in a long time, but it was a significant milestone in his career. After years of exhibiting across the world through Deitch Projects, the California-born artist is looking to move on to a new chapter.
In Michael Tole's paintings, such as "Diana and Actaeon: Backwards and in Stiletto Boots," the painter recasts mythological scenes through a contemporary lens. In this effort, Tole touches on gender and other cultural issues. The artist says that wardrobe pieces in the above painting are taken from the 2018 Moschino spring/summer line.
Mia Brownell, a Chicago-based artist and daughter of a sculptor and biophysicist, has a new body of work that she says "simultaneously draw on scientific images of platelets (tiny blood cells shaped like plates) and the history of the painted food still life." The new series is called "Plate to Platelets: and other things that travel and bind,” and it features several new palette paintings. Brownell is featured in the Hi-Fructose Collected 4 Boxset.
Ryan Bock's new immersive show at Ki Smith Gallery takes influence from the 1921 German horror film "The Cabinet of Dr. Caligari," transforming bed frames and other "functional items made non-functional" in a dream-like environment. We’re given an exclusive first look at "Somnambulist," which opens on Oct. 26, in this post. Installation shots for the exhibition were taken by photographer Roman Dean.

Subscribe to the Hi-Fructose Mailing List