Menu
The New Contemporary Art Magazine

Opening Night: Mary Iverson and Stephanie Buer at Thinkspace Gallery

On Saturday, Thinkspace Gallery celebrated the opening of "After", a collaborative exhibition by Mary Iverson and Stephanie Buer.  As a singular statement, their new work explores a certain "afterlife" of desolate urban and rural landscapes.  Where Stephanie Buer (previously covered here) suggests the passing of time through colorful graffiti on crumbling walls, Mary Iverson interjects peaceful mountainscapes with exciting abstract shapes.

On Saturday, Thinkspace Gallery celebrated the opening of “After”, a collaborative exhibition by Mary Iverson and Stephanie Buer.  As a singular statement, their new work explores a certain “afterlife” of desolate urban and rural landscapes.  Where Stephanie Buer (previously covered here) suggests the passing of time through colorful graffiti on crumbling walls, Mary Iverson interjects peaceful mountainscapes with exciting abstract shapes.

Stephanie Buer with her work on opening night.

Both add visual excitement to the work through the bold colors that also celebrates their respective environments. Depending on how you look at it, their narrative also tells a sad story. Iverson’s rainbow of shipping containers tumble through a variety of scenes. She seems to raise an environmental concern; that even the most remote places on Earth are eventually affected by industry. Through the absence of human life, these abandoned places persevere as the world goes on without us.  In the adjacent gallery, Glenn Arthur matches their graphic aesthetic with his latest series, “Oppulent Anomalies”.  He places side-show “freaks”, old time subjects of mockery, in luxurious costumes so they can be newly admired.  “After” by Mary Iverson and Stephanie Buer is on view at Thinkspace Gallery through September 6th, 2014.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Oakland, California based painter Warner Williams has earned his fair share of success since beginning his career in the 1970s, but you won't find him on any lists of major Pop art players. Williams considers himself as an outsider of the contemporary movement: "I chose a 35,000 year-old tradition of painting as an alternative. I believe in sacred geometry, significant form, and the spirit resonance of color," he says, applying this philosophy to create brilliantly colored oil paintings that remix California's landscape.
Last year, Portland based artist Peter Gronquist made a remarkable departure from his dramatic taxidermy sculptures in favor of more abstract explorations. He continues to experiment with color and form in his latest body of work for "All of the Above", opening on Saturday at Soze Gallery in Los Angeles. The show expands on his 2014 exhibition "The Great Escape" which featured infinity boxes of holographic war planes and firearms, a recurring motif in Gronquist's art.
Greg 'Craola' Simkin's childhood memories have long played an important role and inspiration for his artwork. The playfulness of being a child comes together with creatures of the natural world in his mythical landscapes. He calls this world "the Outside", a place where the impossible becomes possible, and a cast of anthropomorphized animals set out on bizarre adventures. Simkins expands on this world in his upcoming solo exhibition, "Where Am I?" at KP Project/MKG, opening Saturday.
Since moving from New York city to the countryside in Hudson, artist Jason Middlebrook has found himself in a constant contact with nature. His striking "plank series" is informed by his surroundings; vividly painted abstract designs on natural pieces of cut wood like maple and birch, sourced from a local mill. Though his use of straight lines and angles, drawn with a geometric precision, may not be naturally occurring, they are inspired by the subtle nuances found in his materials.

Subscribe to the Hi-Fructose Mailing List