The flesh takes a leading role in the art of Duarte Vitória, though not always in the most expected ways. In some works, it’s the bright red lips of the subject that command attention. In others, the artist focuses on a pair of hands coming together. Things get more eerie and unsettling in compositions where the flesh is folded and speckled with red as if bloody. In one painting, a face gets sectioned off by a rope wrapped tautly around a head. Even with a half-closed eye, the subject looks straight at the viewer as if the ropes do not exist. It’s hard to tell whether the subjects feel trapped in their flesh or strangely liberated by its inescapable existence. With each strange scene — made even more intense with careful shading — the story stays unclear but the question of human mortality stays pertinent.
In her studio in Cardedeu, a small town near Barcelona, Spain, 
