Menu

Subscriptions

Shop

Submit

Promote

The New Contemporary Art Magazine
Some of our past articles may not have images. Click here to see those that do.

“Wink Space” Walk-In Kaleidoscope Installation By Saya Miyazaki and Masakazu Shirane

A dizzying array of laser-cut mirrors make up Miyazaki Saya and Shirane Masakazu's dazzling "Wink Space" installation — a giant, walk-in kaleidoscope built inside of a shipping container. While the pair is not the first do a mirrored kaleidoscope installation, their piece stands out because of the complexity of its form. Dozens of mirrors were cut into triangular shapes to form the multifaceted, cave-like structure. Miyazaki and Shirane created the piece for last year's Kobe Biennale, where artists were challenged to use shipping containers to create artworks that are mobile and, though site-specific, not confined to a geographical location.

A dizzying array of laser-cut mirrors make up Saya Miyazaki and Masakazu Shirane’s dazzling “Wink Space” installation — a giant, walk-in kaleidoscope built inside of a shipping container. While the pair is not the first do a mirrored kaleidoscope installation, their piece stands out because of the complexity of its form. Dozens of mirrors were cut into triangular shapes to form the multifaceted, cave-like structure. Miyazaki and Shirane created the piece for last year’s Kobe Biennale, where artists were challenged to use shipping containers to create artworks that are mobile and, though site-specific, not confined to a geographical location.

Meta
Topics
Share
Facebook
Reddit
Pinterest
Email
Related Articles

Kate MccGwire’s Writhing, Absorbing Feather Sculptures Remix the Natural World

Kate MccGwire’s anthropomorphic pieces exude a naturally sourced beauty as they writhe and loom in place. Much of her sculptural and installation work uses materials from the animal world, like pheasant and crow feathers, to create something new entirely. The British sculptor uses a dozen verbs to describe what she does: "I gather, collate, re-use, layer, peel, burn, reveal, locate, question, duplicate, play and photograph."

Attaboy’s ‘The Cradle of Life’ Headed to LA Art Show

Attaboy's "Cradle of Life" installation, which premiered at the “Art of the Mushroom” group show at Compound Gallery last year, is now headed to the the LA Art Show on Jan. 23-27. It will be part of the Littletopia section of the event. The Hi-Fructose co-founder designed the work as rideable, and as you can see below, revelers at the Compound Gallery events took him up on the opportunity.

Alison Blickle’s Weaves Patterns, Femininity in Paintings

Alison Blickle’s paintings weave the patterns of mosaics, textiles, and artifacts into the forms of females figures. These arrangements both follow and break free from the contours of the body, with choreographed scenes that recall ceremony. The artist often pairs these works with three-dimensional works.

Carlito Dalceggio Applies Worldy Motifs to His Colorful Art and Installations

Though multimedia artist Carlito Dalceggio hails from Canada, he finds himself incorporating a world view into his work- colorful and frenzied compositions inspired by tribal art motifs, and master painters like Italian artist Amedeo Modigliani and Vincent Van Gogh. His spiritual and symbolic images of things like kites, peacock feathers and masks also recall Mexican popular art, Picasso’s cubism, Rauschenberg’s abstract expressionism, and Matisse’s primitivism.
Subscribe to the Hi-Fructose Mailing List
Follow us on our social networks

Instagram, Twitter, Facebook, Youtube, Tumblr

Shop

Subscribe

Subscription Details

Articles, About, FAQs, Submit, Promote, Distribute

© 2025 Hi-Fructose Magazine

Subscribe to the Hi-Fructose Mailing List