Despite the meticulous control and calculated perspectives, Canadian artist Adam Lupton’s oil paintings are constantly fidgeting. They mostly feature youth in various incarnations in a blur of motion represented as simultaneous frames, or with different layers of paint exposed. This jitteriness is revealed both through substance, by showing the layers of material creation, or through time, as the viewer pans multiple freeze-frames overlaid on top of each other. What stands still throughout all his work is an obsession with time and chaos, and the individual’s navigation of the two in the constant present.
In his current show at 
South African artist Linsey Levendall has a hyper-detailed style that appears at once chaotic and controlled. His work moves between surreal scenes packed with figures and objects that nearly resemble Rube Goldberg machine in their connectivity and a looser, multi-hued style that focuses on a single subject.
Monk
Nathaniel Mary Quinn’s affecting mixed-media portraits recently returned in the show "Always Felt, Rarely Seen" at