Menu
The New Contemporary Art Magazine

Julie Sarloutte’s Hand-Embroidered Portraits Depict Conflict

Rifle through French artist Julie Sarloutte's art supplies and you might find not tubes of oil paint, but dozens of thread bundles. At first glance, her works appear to be paint on canvas, the unmistakable palette knife angling and impasto streaks making up portraits and muted scenes of political violence. But looking closer, you might see the pop of thread coming through, as all pieces are meticulously hand-embroidered by Sarloutte, who also dabbles in mosaic and yes, paint.

Rifle through French artist Julie Sarloutte’s art supplies and you might find not tubes of oil paint, but dozens of thread bundles. At first glance, her works appear to be paint on canvas, the unmistakable palette knife angling and impasto streaks making up portraits and muted scenes of political violence. But looking closer, you might see the pop of thread coming through, as all pieces are meticulously hand-embroidered by Sarloutte, who also dabbles in mosaic and yes, paint.

From Sherlock Holmes to her own self-portrait, Sarloutte, a graduate of National School of Fine Arts in Paris, tackles the classic style of portraiture, but it’s her other works — frozen images of aggression and violence captured with thread — that catch our eye. She takes scenes covered in the media — war, gun violence, natural disasters — and transposes them onto soft fabrics, illuminating a marked contrast between the medium and the subject.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
New York based artist Hope Gangloff paints expressive and visually striking portraits with emotional depth. First covered here, her portraits primarily depict family, friends and other artists in intimate, vaguely erotic and melancholy scenes. Gangloff has described her paintings as caricatures- rather than capturing her subjects' likeness, she focuses on their details separately and intensely, and exaggerates their features like hands and feet.
Setting soft and supple nudes against graphic patterns and textures, Brooklyn-based painter Sharon Sprung utilizes the tension between abstraction and realism to appease her own inner dichotomies and create art that expresses emotional complexities. But unlike many artists who muddle the polarities of figuration and abstraction into ambiguity, Sprung leaves them distinct, engendering a contrast that intensifies the impact of each.
Polish painter Ewa Juszkiewicz subverts canonical portraiture by playing with viewers' expectations. Poised damsels that evoke Renaissance-era nobility stand with their hands clasped and their faces replaced by oyster mushrooms, cockroaches and shrubbery. It's as if in spite of all the pains these ladies have taken to appear proper and civilized, nature has reasserted its dominion. Juzkiewicz is specifically interested in portraits of women and uses her work to study the ways women have been presented over the course of European history.
Italian artist Marco Grassi applies his hyperrealist painting chops to portraits that are slightly unconventional. While he paints mostly young, beautiful female subjects in traditional studio settings, his work becomes remarkable for the surreal accoutrements with which he adorns his characters. In one piece, a model's back becomes porous with a carved, baroque design — her body hollow like a doll's. In other paintings, he experiments with colorful body paint, tattoos, fabrics, and even a translucent, shield-like piece of futuristic jewelry. Throughout his portrait series, Grassi uses his skills with oils to create convincing illusions that make it easy for viewers to suspend disbelief.

Subscribe to the Hi-Fructose Mailing List