Menu
The New Contemporary Art Magazine

F. Scott Hess’s Voyeuristic Paintings of Suburbia

F. Scott Hess's oil paintings balance time-honored compositional techniques with a bright, saturated color palette and elements of kitsch. He directly translates the cultural symbols of American suburbia — country club dads, manicured lawns — into modern-day history paintings. Like the 18th and 19th-century depictions of great battles, his oil paintings feature multitudes of characters sprawled out across a single canvas, each person involved in his or her own activity and reacting to the situation at hand in different ways. At times, Hess plays with perspective, warping the scene as if it was distorted by a fish-eye lens or a botched panoramic photo on an iPhone. The results give viewers a chance to be voyeurs in situations that were once mundane but have become far-removed and strange.

F. Scott Hess’s oil paintings balance time-honored compositional techniques with a bright, saturated color palette and elements of kitsch. He directly translates the cultural symbols of American suburbia — country club dads, manicured lawns — into modern-day history paintings. Like the 18th and 19th-century depictions of great battles, his oil paintings feature multitudes of characters sprawled out across a single canvas, each person involved in his or her own activity and reacting to the situation at hand in different ways. At times, Hess plays with perspective, warping the scene as if it was distorted by a fish-eye lens or a botched panoramic photo on an iPhone. The results give viewers a chance to be voyeurs in situations that were once mundane but have become far-removed and strange.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Currently on view at Gauntlet Gallery in San Francisco is "Au9usto" — as the title suggests, a playful group show featuring nine artists with a penchant for experimentation. There's the dark surrealism of Wednesday Kirwan, a fully-functional guillotine sculpture by Sam Lamott and heavily tattooed vintage celebrity portraits by Cheyenne Randall. Bennett Slater offers an irreverent take on neo-Classicism, Justin Hopkins distorts perspectives and Rebecca Adams takes us into a Richter-esque time warp. Take a look at some of the works in the show and catch the exhibition on view through September 20.
In what the artist himself calls "homespun faerie tales", Jon Rappleye blends imagery found in art history, literature, biology, and folklore to portray the cyclical nature of life and death. Ranging from surreal paintings to mixed media sculptures, his works draw from the detailed illustrations of James John Audubon and hallucinatory worlds of Salvador Dalí. And while his subject matter can be grim at times, the artist renders it in such a way that it becomes beautiful and enchanting.
The oil paintings of Liora Ostroff, with varying textures and contemporary imagery, call upon the history of the form. With her lush environments and occasionally morbid edges, she navigates humanity in both vulnerable and surreal terms.
In his third show at 111 Minna Gallery, Mike Davis offers new whimsical paintings that appear as a continuation of the Northern Renaissance while blending in notes of the artist’s own time period. "Crooked as a Dog's Hind Leg" kicks off on Jan. 10 and runs through Feb. 29 at the space. Davis was last featured on our site here.

Subscribe to the Hi-Fructose Mailing List