F. Scott Hess’s oil paintings balance time-honored compositional techniques with a bright, saturated color palette and elements of kitsch. He directly translates the cultural symbols of American suburbia — country club dads, manicured lawns — into modern-day history paintings. Like the 18th and 19th-century depictions of great battles, his oil paintings feature multitudes of characters sprawled out across a single canvas, each person involved in his or her own activity and reacting to the situation at hand in different ways. At times, Hess plays with perspective, warping the scene as if it was distorted by a fish-eye lens or a botched panoramic photo on an iPhone. The results give viewers a chance to be voyeurs in situations that were once mundane but have become far-removed and strange.
The work of Sean Landers has long examined the relationship between artists and their own work, including the adventures of the character Plankboy. In a recent show at Rodolphe Janssen Gallery, he shared new paintings featuring Plankboy, many taking on mythological narratives. Landers was last featured on our site 
Christian Vincent’s paintings carry whimsy and melancholy, the artist playing with light and perspective in scenes from the everyday. Surrealism is typical in Vincent’s work, yet at varying degrees. The overall essence plays into the function of memory and how we fill in details with the perspectives of both then and now.
Tunisian artist 
Based in the Philippines, multimedia artist