Menu
The New Contemporary Art Magazine

Cyrcle’s New Mural, “Collapse Part 1,” at the Moderna Museet Malmö

A blend of Greco-Roman iconography and modern-day graphic design, LA-based duo Cyrcle's latest work is a prime example of the ways images get recycled, re-contextualized and repeated in contemporary culture. Like the philosopher Guy Debord famously predicted in the 1960s, our experiences are mediated through images, and almost everything in mass culture has become an image of an image of an image. Not to get too far off track, Cyrcle's new mural in Malmö, Sweden plays with this notion of pastiche.

A blend of Greco-Roman iconography and modern-day graphic design, LA-based duo Cyrcle’s latest work is a prime example of the ways images get recycled, re-contextualized and repeated in contemporary culture. Like the philosopher Guy Debord famously predicted in the 1960s, our experiences are mediated through images, and almost everything in mass culture has become an image of an image of an image. Not to get too far off track, Cyrcle’s new mural in Malmö, Sweden plays with this notion of pastiche.

The piece is irreverent and catchy. Its once-venerated Classical figures become pixelated and vague; the mishmash of characters renders each one anonymous and stripped of context. The large-scale mural, titled “Collapse Part 1,” was painted on the exterior of the modern art museum Moderna Museet Malmö for the Artscape Festival. According to the artists, it continues what they’re calling a campaign “expressing an objection to the powers that be” and will progress as a series of murals throughout Western Europe. Stay tuned!

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Portugal-born muralist Sergio Odeith is known for dazzling with his optical illusions created on walls across the world. He first emerged as a practitioner in the graffiti movement in the 1990s, before turning his interest to toying with how his subjects can subvert expectations from viewers.
Berlin-based artist Reka recently travelled to London for his current solo show "Trip the Light" at StolenSpace Gallery (see our preview here) and left a mural behind in the Shoreditch district. While the graceful movements of dancers' bodies served as the inspiration for the paintings in Reka's exhibition, the mural took on a more playful, illustrative look despite its shared Modernist aesthetic. Over a black background, Reka painted free-flowing, abstract forms. Some of them emerge as illustrations of specific objects — a fish head, a chess piece with an all-seeing eye — while others keep the viewer asking questions. Is that a spray can with the punk slogan ACAB? The whimsical piece is intended to keep us guessing.
Strong, clean lines and cubist inspired characters in vivid colors have long been the main signifiers of Berlin based artist James Reka's, aka Reka's, paintings. His previous works, featured here on our blog, depict geometrical figures but the choice of colors, the backgrounds, and the style have dramatically changed over the past few years. His graffiti background is becoming less evident as Reka is increasingly interested in abstraction, and his new work may be his most enigmatic.
Amsterdam-based collage artist Handiedan recently visited Berlin to add her contribution to Urban Nation's Project M, arguably one of the coolest buildings in the German capital. The arts organization has been inviting artists to create window installations and large-scale murals (see our coverage of Eine's recent piece there) and Handiedan recently made her mark on the multi-story facade with an enormous, wheat-pasted mural. While her typical work consists of smaller-scale, textured collages of vintage pin-up girls with baroque flourishes, she seamlessly adapted this style to a larger format. Check out her piece and stay tuned for more coverage of her upcoming solo show "Vesica Piscis," opening at Seattle's Roq La Rue this Thursday.

Subscribe to the Hi-Fructose Mailing List