Menu
The New Contemporary Art Magazine

Cyrcle’s New Mural, “Collapse Part 1,” at the Moderna Museet Malmö

A blend of Greco-Roman iconography and modern-day graphic design, LA-based duo Cyrcle's latest work is a prime example of the ways images get recycled, re-contextualized and repeated in contemporary culture. Like the philosopher Guy Debord famously predicted in the 1960s, our experiences are mediated through images, and almost everything in mass culture has become an image of an image of an image. Not to get too far off track, Cyrcle's new mural in Malmö, Sweden plays with this notion of pastiche.

A blend of Greco-Roman iconography and modern-day graphic design, LA-based duo Cyrcle’s latest work is a prime example of the ways images get recycled, re-contextualized and repeated in contemporary culture. Like the philosopher Guy Debord famously predicted in the 1960s, our experiences are mediated through images, and almost everything in mass culture has become an image of an image of an image. Not to get too far off track, Cyrcle’s new mural in Malmö, Sweden plays with this notion of pastiche.

The piece is irreverent and catchy. Its once-venerated Classical figures become pixelated and vague; the mishmash of characters renders each one anonymous and stripped of context. The large-scale mural, titled “Collapse Part 1,” was painted on the exterior of the modern art museum Moderna Museet Malmö for the Artscape Festival. According to the artists, it continues what they’re calling a campaign “expressing an objection to the powers that be” and will progress as a series of murals throughout Western Europe. Stay tuned!

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
In the late 1970s, celebrated muralist Kent Twitchell began his famous artists series, featured in Hi-Fructose Vol. 37, starting with notable Los Angeles artist Ed Ruscha. Measuring 70 feet tall on the side of a downtown building, Twitchell's full-length portrait of the artist in a red silk shirt and pleated slacks took almost 9 years to complete because it was self-funded and there were other projects that came to him during that time. Why did he choose Ruscha as his first artist? "It was a gut decision," he says. "He was and is unique and seemed to characterize the American Individualist to me as McQueen did in the film world."
Hula is the moniker of artist Sean Yoro, who creates massive, delicate murals above waterways and alongside abandoned structures. The self-taught painter was raised in Oahu, where he engaged with the ocean as a surfer before embarking on a path in street art and tattooing. Today, he creates his massive figures in oil paint and creates pieces across the world.
Dabs Myla's oddball characters, Rime's vivid colors and Persue's trippy paintings all share an animated style- and tend to tread sensitive topics. On Saturday night, their worlds collided in "Touchy Subjects" at The Seventh Letter gallery in Los Angeles. Co-existing in the same space, it was almost like a scene out of toontown in In Who Framed Roger Rabbit. Everything comes to life in a remarkably fun way, but it's also slightly dangerous, erratic, and yes, touchy. More after the jump!
A couple of weeks ago, Pejac shared a simple window drawing on his Facebook profile, as a tribute to legendary French high-wire walker, Philippe Petit. The drawing was done using acrylic on a window glass to commemorate the 40th anniversary of Petit's walk between the Twin Towers of the World Trade Center in New York City. This simple idea, captured on camera by his friend Silvia Guinovart Pujol, shows the riskiness and fragility of the art of tightrope and is a great example of the Spanish artist's style: simple, minimalist yet effective.

Subscribe to the Hi-Fructose Mailing List