Menu
The New Contemporary Art Magazine

Preview: “Metamorphosis” by Stephanie Inagaki at Century Guild

Japanese mythology and folktales are the inspiration behind Stephanie Inagaki’s upcoming debut solo show at Century Guild on April 26th.  A southern California native, her work is a unique blend of personal history and strong sense of Japanese heritage. Inagaki’s intimate charcoal drawings of young women focus on themes of birth, growth, and emotional experience.  For “Metamorphosis”, anthropomorphic female figures such as winged sirens and mermaids are mixed with colorful, traditional Japanese motifs.

Japanese mythology and folktales are the inspiration behind Stephanie Inagaki’s upcoming debut solo show at Century Guild on April 26th.  A southern California native, her work is a unique blend of personal history and strong sense of Japanese heritage. Inagaki’s intimate charcoal drawings of young women focus on themes of birth, growth, and emotional experience.  For “Metamorphosis”, anthropomorphic female figures such as winged sirens and mermaids are mixed with colorful, traditional Japanese motifs.  She shares, “By contextualizing the female body, hair, feathers, and crows into surrealistic compositions, I am creating my own mythology through these corporeal re-imaginings.  Referencing traditional Japanese culture and mythology allows me to synthesize transformative moments into visual vignette of change, growth, empowerment, and the cyclical nature of living as a human being.” Through these illustrations, Inagaki aims to explore the physical and psychological aspects of self discovery.

Stephanie Inagaki’s “Metamorphosis” will be on view April 26th through May 3rd at Century Guild in Culver City, CA.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Karine Rougier’s mystical "Wild waves in our hands" touches both on our tribal nature and explores femininity. The show is staged at Catinca Tabacaru Gallery in New York City throughout the month. On the show, the gallery says this: “Women are Rougier’s muses; poetry her nourishment: an ode to Ingeborg Bachmann, Rainer Maria Rilke, les Métamorphoses d’Ovide.”
From bronze to blown glass, stainless steel to gems, the otherworldly sculptural works of Tian He have deep roots in the earth. The artist, based in Beijing, uses childlike imagery with intricate details that tell contained narratives of strange children and fanciful figures. Her pieces were recently featured in the show “Small is Beautiful VII” at Leo Gallery in Shanghai.
American artist Jamie Adams paints the human form with the expertise of an European Old Master. His rendering of musculature and gradation of skin tone is exacting and hyperrealistic. However, there is something askew in the way the necks of his figures sometimes turn too far — as if snapped by an unknown force — and stomachs appear to bulge and contract to unnatural degrees. The distortions to which Adam subjects his characters, and their simultaneously alluring and repelling effects, are similar to the ways in which John Currin manipulates his female figures. The uncanny resemblance is likely no accident, as Adams and Currin are contemporaries of one another. Born within one year of each other, Adams and Currin are both BFA graduates of Carnegie Mellon University.
In his riveting, surreal ink drawings, Peter Striffolino builds new creatures from humanity’s building blocks. Though the Los Angeles artist's practice encompasses these drawings, paintings, and animations, we'll be taking a look at his ink work in this post. In his monochromatic work, Striffolino’s talents in texturing and linework is on display.

Subscribe to the Hi-Fructose Mailing List