Menu
The New Contemporary Art Magazine

Skinner spreads the Language of the Abyss

"And through those staggering peaks loomed a cathedral of sacrifice. A catalyst of cosmic mayhem etched invariably along the necks andgrooves of those archaic and malevolent instruments. Played horrifically and with unknowing cadence, those hideous and mindless beings of the pits have mastered the forbidden rhythms of cold, callous space. The power to bring forth a whirling, unstoppable maelstrom of sound no one person may survive. These lords of your undoing and enemies of all natural law wield unyielding.....Blackened Knowledge, the language of the abyss!"

And so stateth Skinnner through the hollowed horn of the oxen, spreading his message of the latest Zerofriends x Skinner release. The seventeen by twenty two inch giclee is printed with archival inks on acid free velvet cotton rag paper and hath been releaseth sometime early this morn through the Zerofriends haberdasherie.

“And through those staggering peaks loomed a cathedral ofsacrifice. A catalyst of cosmic mayhem etched invariably along thenecks andgrooves of those archaic and malevolent instruments. Playedhorrifically and with unknowing cadence, those hideous and mindlessbeings of the pits have mastered the forbidden rhythms of cold, callousspace. The power to bring forth a whirling, unstoppable maelstrom ofsound no one person may survive. These lords of your undoing andenemies of all natural law wield unyielding…..Blackened Knowledge,the language of the abyss!”

And so stateth Skinnnerthrough the hollowed horn of the oxen, spreading his message of thelatest Zerofriends x Skinner release. The seventeen by twenty two inchgiclee is printed with archival inks on acid free velvet cotton ragpaper and hath been releaseth sometime early this morn through the Zerofriends haberdasherie.

Meta
Topics
Share
Facebook
Reddit
Pinterest
Email
Related Articles
We are saddened to hear of the passing of master pop artist Keiichi Tanaami. His work was equally fueled by the horrific atomic blast he witnessed in World War II and the bright and ugliness of pop culture Tanaami’s art is both beautiful and horrifying. We're reposting an interview he did for Hi-Fructose with writer Caro Buermann from 2016. Click above to read it.
Explaining an image could break the illusive spell on a viewer with preconceived notions, or at the very least be a distraction to a genuine experience. Nevertheless, it’s a job of a publication like ours to try to probe a bit further, to unearth subtle intentions or points of discussion. So let’s ask Shane Pearce about his ten new paintings, entitled “Eerie Musings”, which goes on view at Copro Gallery in Santa Monica this Saturday. Click above to read the hifructose.com exclusive interview.
In his latest “Trash Talking” exhibition, staged in a converted gas station now art space, Leavitt takes on American brans, consumer culture and crafts them out of packaging from other branded products. We interviewed the artist for a hifructose.com exclusive. Click above to read it.
Next up from our visit to Bentonville is Crystal Bridges Museum of American Art, a museum Hi-Fructose has been eager to visit for many years. It is a thoroughly immersive art experience both inside and outside the museum walls which are set on a lush green landscape. Click image above to see more from our visit!

Subscribe to the Hi-Fructose Mailing List