LA-based artist John Guy Petruzzi creates detailed watercolor paintings filled with illustrations of the natural world. While his figurative depictions of various bird and plant species are rendered with the precision of scientific drawings, the milieus these characters find themselves in morph into abstract shapes that reveal the cloudy, liquid characteristics of his chosen medium. Petruzzi works on a polypropylene synthetic paper to amplify his work’s preoccupation with environmental issues. Lately, he has created entirely abstract works filled with dripping pigments. “My latest series, ‘SPILLSTONES,’ exploits the materiality of poured pigment to recall ongoing cycles of resource extraction,” said the artist.
Robots battle in a world that seems simultaneously prehistoric and futuristic in Rob Sato’s watercolors. The artist (first featured in HF Vol. 16) defies the limitations of his medium both in content and in format. While watercolor paintings are typically kept small, he works at mural scale, rendering the precise outlines of his giant robots, warriors on horseback and bizarre humanoid characters. The softness of the watercolor is still there, adding a handmade touch to his mechanical subject matter. Sato’s latest exhibition “Curses” opens on September 20 at Martha Otero Gallery in LA and features several massive works, folded paintings that become sculptural objects, some simplified sketches and painted baseballs that seem to take their cue from the cave walls of Lascaux. Take a look at our preview below.
There seems to be a history running through Carmel Seymour’s water colors, but it’s hard to pin down. Somewhere in the hazy but sublime gap between art and illustration, the paintings suspend an alternate reality in the canvas’ mid-air, depicting some hyperreal folklore in a wash of negative space. Seymour’s conceit seems simple enough: she places contemporary figures, such as girls in jeans and sneakers, in some private oasis, perhaps the figures’ dream landscape or perhaps some alien planet. But the landscapes where her figures exist are not so much ‘scapes as objects; entities without a before or after. Her water colors are deployed in highly restrained and linear strokes to focus on details, and then exploded to disrupt the hyperrealism and maximize the medium’s atmospheric emphasis. The paintings have no clear beginning or end, but beg the question: what’s the story here?
Born in Brazil, living in New York City, Marcelo Daldoce gives substance and heft to watercolor portraits.
Los Angeles based artist Edwin Ushiro (featured here) was raised in Maui and we get to relive his tropical childhood in his upcoming solo show “Gathering Whispers”. Opening July 12th at Giant Robot’s GR2 gallery, Ushiro’s new show is a ‘gathering’ of memories that feel familiar even if you didn’t grow up in Hawaii. His dreamy images capture tiny scenes taking place in overwhelming landscapes. Sometimes, they are split in half and a little wavy, as if we’re peering through a fractured mirror. Get a preview courtesy of the artist after the jump.
Surrealist art is often highly cryptic and the odd juxtapositions and ambiguous narratives can sometimes feel unnerving. This is understandable given the contradictory space between the subconscious and reality that surrealist artists navigate in their creative process. In the hands of self-proclaimed surrealist Daniel Merriam, however, the results of this process are entirely different. Merriam draws inspiration from both his fantasies and surrounding reality to create works that are both deeply pleasurable and immediately enticing. His imaginative paintings depict fantastical worlds filled with bubbles, flying fish, instrument-playing animals and tree-house castles, all rendered in dreamy watercolors.