Tracey Snelling’s installations are immersive blends of sculpture, video, and photography, her makeshift buildings containing surprises in their windows and corners. Her recent, massive construction at the 58th Venice Biennale reflects on her experiences living in China, in particular. Videos shown within offer peeks into her experiences with friends; structures are inspired by actual places she visited.
Tracey Snelling is currently featured in our Turn the Page: The First Ten Years of Hi-Fructose exhibition at Virginia MOCA, Imagining Home at the Baltimore Museum of Art, and soon at Volta Basel, opening this week. We caught up with her to talk about her new works, which collectively offer psychedelic versions of places, as in her recreation of strip clubs, as well as her own criticisms, expressed in “Shoot It!”, a commentary on gun rights in America.
Oakland based artist Tracey Snelling, featured in Hi-Fructose Vol. 35, creates detailed dioramas and installations of urban landscapes. Ranging from miniature to large scale pieces, her installations represent her impression of a space through the use of mixed media like sculpture, video, and photography. Hers is an imaginary world based on real places, sometimes populated by dolls and figurines, and lit dramatically by LCD screens and film stills to add a flicker of life. For her latest multimedia installation debuting on November 20th, Snelling wanted to capture the vulnerability and strength found in poverty-stricken slums around the world.