On view as of yesterday, Galerie Perrotin is exhibiting Japanese artist Makoto Aida’s first major exhibition in Hong Kong. The show presents some of his most well-known artwork, in addition to experimental new pieces with the loose theme of metamorphosis. There are different interpretations of the world’s changes in recent years, from politics to global warming. At the center of it all is his new sculpture “Space Tripper 1455″ (lovingly called “Comet-chan”). See more after the jump!
On December 13th at 80Forty gallery, Lola will debut her first major exhibition in two years, and perhaps her most personal, “The Younger”. Her new series of twenty oil paintings also includes some of her largest to date. When we visited her studio in Los Angeles this week, she described it as “something to really get lost in”. Her childish characters embark from their storybook lands into unfamiliar territory- Lola’s childhood reality. The spirit of a ‘younger’ Lola is present in images of freckled young girls playing with reimaginatings of toys like Pacman and Pez. In this new world drawn from memory, Lola tells us the story of her creative upbringing. We took a moment to discuss her exhibition while she worked.
“I think listening to some songs can be a lot like looking at a painting. The meaning can vary greatly depending on who’s listening and what they’re feeling at the time and where they’re at in their lives. I love the idea of something being so open to interpretation,” shares Nate Frizzel on his recent show at CHG Circa, “Dark Was The Night”. The show borrows very loose inspiration from 1920s gospel song, “Dark is the Night”. It is what paved the direction Frizzel wanted to go in. The rest, he leaves to the beholder. Photos from opening night after the jump!
An esoteric concept that fascinated the first Surrealists, an “égrégore” is a sort of mob mentality. Scholar Pierre Mabille defined it as “a group of humans endowed with a personality different from that of the individuals forming it.” This concept of collective consciousness was the springboard for Yves Laroche Gallery’s eponymous exhibition, the gallery’s largest group show to date. With dozens of artists, many of whom are associated with the Pop Surrealist movement, the show builds its momentum from the multitudes of distinct yet complementary aesthetics joined together. Among the line-up are names that will be well-known to our readers: Josh Agle (Shag), Martin Wittfooth, Amy Sol, Joe Sorren, Liz McGrath, Annie Owens (Hi-Fructose co-editor-in-chief), AJ Fosik, Miss Van and many others. Take a look at our sneak peek below before “Égrégore” opens on October 30 at Yves Laroche Gallery in Montreal.
Robert S. Connett’s highly detailed and Natural Science-inspired illustrations have acquired a few labels, from strange, fantastical, alienesque, to unsettling. Even his website is “grotesque.com.” If evolution is an artist, then Connett’s artwork captures its unreal color palette and perspectives of worlds rarely explored. His studio in Los Angeles is filled to the brim with specimins, family photos and antiques that serve as reminders of his past and his inspiration. Rarely, if ever, does Connett invite visitors into this private space. In this exclusive interview, we discuss the thought process behind his new works.
Closing today at Leontia Gallery in London, “FLESH” exhibits sensual, raw and dark new works by Magnus Gjoen, Flora Borsi, Maria Koshneneko, Mariska Karto. Their pieces examine the beautiful and fragile, haunting and disturbing aspects of the figure, reinterpreted in a variety of media. Each sheds new light on this classical idea, by embracing it with contemporary and pop styles mixed with the influences of fine art.