On Saturday night, Los Angeles pop-up space 80Forty transformed into Lola’s “The Younger”. Her exhibition, 2-years in the making, tells the personal story of Lola’s creative upbringing in an environment full of personal touches. The space included her own fireplace mantel, as seen in our studio visit, with decorative furniture and 3d pieces on display. As the title suggests, we follow the ‘younger’ Lola into adulthood through a series of playful symbolism. In her youth, Lola spent time drawing with her father, also an artist, and playing with the toys inherited from her grandparents. These experiences find their way into her paintings, featuring Alice in Wonderland-like little girls in whimsical situations.
Soey Milk has seen a lot of creative and personal growth in the past year- she tackles life with the same focus as her precisely detailed, figurative paintings. When we last caught up with her, she was still a student at Pasadena Art Center and experimenting with a new style that incorporates colorful drapery. Recently graduated, her upcoming show at CHG Circa on December 13th showcases the result of her progress. Appropriately, the exhibition title “SINAVRO” loosely translates from Korean to “To progress slowly, almost imperceptibly.” Her identity as a young woman living between two cultures, Korean and American, is represented in her intermixing styles.
On view as of yesterday, Galerie Perrotin is exhibiting Japanese artist Makoto Aida’s first major exhibition in Hong Kong. The show presents some of his most well-known artwork, in addition to experimental new pieces with the loose theme of metamorphosis. There are different interpretations of the world’s changes in recent years, from politics to global warming. At the center of it all is his new sculpture “Space Tripper 1455″ (lovingly called “Comet-chan”). See more after the jump!
On December 13th at 80Forty gallery, Lola will debut her first major exhibition in two years, and perhaps her most personal, “The Younger”. Her new series of twenty oil paintings also includes some of her largest to date. When we visited her studio in Los Angeles this week, she described it as “something to really get lost in”. Her childish characters embark from their storybook lands into unfamiliar territory- Lola’s childhood reality. The spirit of a ‘younger’ Lola is present in images of freckled young girls playing with reimaginatings of toys like Pacman and Pez. In this new world drawn from memory, Lola tells us the story of her creative upbringing. We took a moment to discuss her exhibition while she worked.
“I think listening to some songs can be a lot like looking at a painting. The meaning can vary greatly depending on who’s listening and what they’re feeling at the time and where they’re at in their lives. I love the idea of something being so open to interpretation,” shares Nate Frizzel on his recent show at CHG Circa, “Dark Was The Night”. The show borrows very loose inspiration from 1920s gospel song, “Dark is the Night”. It is what paved the direction Frizzel wanted to go in. The rest, he leaves to the beholder. Photos from opening night after the jump!
An esoteric concept that fascinated the first Surrealists, an “égrégore” is a sort of mob mentality. Scholar Pierre Mabille defined it as “a group of humans endowed with a personality different from that of the individuals forming it.” This concept of collective consciousness was the springboard for Yves Laroche Gallery’s eponymous exhibition, the gallery’s largest group show to date. With dozens of artists, many of whom are associated with the Pop Surrealist movement, the show builds its momentum from the multitudes of distinct yet complementary aesthetics joined together. Among the line-up are names that will be well-known to our readers: Josh Agle (Shag), Martin Wittfooth, Amy Sol, Joe Sorren, Liz McGrath, Annie Owens (Hi-Fructose co-editor-in-chief), AJ Fosik, Miss Van and many others. Take a look at our sneak peek below before “Égrégore” opens on October 30 at Yves Laroche Gallery in Montreal.