Seamus Conley‘s recent oil paintings offer a convergence of reality and digital fantasy. In that latter world—and in materialism—there’s a hope for fulfillment that Conley explores. His recent body of work is currently on display at Andrea Schwartz Gallery, in a show that runs through Dec. 21.
The next print issue of Hi-Fructose New Contemporary Art Magazine arrives in stores October 1st! It features a cover story on Jean-Pierre Roy, the colorful murals and art of Jet Martinez, narrative painter Mia Araujo, Andy Paiko’s ornate kinetic glass sculptures, Seamus Conley’s mood orienting paintings, stenciled street art from Logan Hicks, the drawings of Ryan Salge, a retrospective story on the murals of Kent Twitchell, an in-depth article on photographer Blake Little’s controversial honey-covered “Preservation” series. Plus reviews on the new George Barris monograph; Daniel Clowes and the new Eightball Collection, and much more! Pre-order from our store today here!
Seamus Conley’s paintings feature contemplative dreamers staring out into masterfully painted vistas of thick clouds and fog. We catch them at their most private moments of contemplation, alone in the night. While his past work has focused on characters of various ages and genders, the paintings in his latest solo show, “Catch My Fade,” depict mostly young boys escaping into the darkness. The spaces they inhabit are far removed from civilization and more closely resemble the landscapes of dreams than any real-life locales. “Catch My Fade” opens at San Francisco’s Andrea Schwartz Gallery on April 29.