With “Louise Bourgeois in the Rijksmuseum Gardens,” the Amsterdam museum offers the first major exhibition to focus solely on the beloved artist’s outdoor sculptures. More than half a century is represented in these works, which include her famed, enormous spiders and other unsettling metal forms. Works include “The Blind Leading the Blind” and “Crouching Spider,” both existing on opposite ends of her career.
“Sawdust provocateur” AJ Fosik crafts totem-like wooden sculptures influenced by taxidermy, rituals from varying cultures, and folk art. He’s also one of three artists crafting installation projects at SCOPE Miami Beach‘s atrium (Dec. 4-9), marking Hi-Fructose’s 14th year in publishing. Fosik was the cover artist for Hi-Fructose Vol. 18 and was last featured on HiFructose.com here. Below, he talks to us about what’s ahead:
The elaborate distortions created by Hong Kong-based sculptor Johnson Tsang continue to evolve, with a recent showing at Giant Year Gallery of works from his “Lucid Dream” series. Tsang was last mentioned on HiFructose.com here, and he was recently featured in Hi-Fructose Vol. 46.
The “live sculptures” of Roman Ermakov combine fashion, fine art, and installation work, each offering an energy and vibrancy powered by the humans bearing his works. These creations from the Moscow-based artist enliven both the runaway and public spaces. His recent work, as shown, takes influence from the costume parties of Germany’s Bauhaus school in the 1920s, where these artists’ radical ideas in architecture and sculpture were also channeled.
In Alex Chinneck’s recent work, the sculptor bends and warps otherwise stubborn objects to his will. “Growing up gets me down” is a working oak grandfather clock “knotted” by Chinneck. “Birth, death and a midlife crisis” was an indoor sculpture that “tied a 450-year-old column in the German museum of Kirchheim Unter Teck.” The artist was last featured on HiFructose.com here.
John Bisbee, who welds and manipulates 12-inch spikes, has always operated under one mantra: “Only nails, always different.” In recent pieces, his diverse output bends the nails into an enormous snake, a tree, and more abstract forms. Not only are the subjects depicted varying wildly, but the style in which the nails comprise them: sometimes rigid and geometric, elsewhere chaotic.