Richard Colman is well known for his paintings of colorful human figures bending and twisting into abstract compositions. Featured here on our blog, Colman’s new works explore the intricacies and curiosities of human relationships in bold and geometric displays. Similar to the frontalism style seen in Egyptian art, the heads of his figures are usually drawn in profile, while the body is seen from the front. The San Francisco based artist recently exhibited in the rotating Los Angeles exhibition curated by Roger Gastman, “W.I.P.” (Work in Progress), which closed over the holiday.
Acrobatic bodies, dismembered heads and elongated limbs stack, twist, and slide among one another to create complex human compositions. The new paintings by Richard Colman are now on display in his solo exhibition, “Faces, Figures, Places, and Things,” as the inaugural exhibition for San Francisco’s Chandran Gallery. The colorful artworks apply both subtle and obvious, real and fantastical instances of human behavior to explore the intricacies and curiosities of human relations. Coleman’s use of minimalist forms and color blocking guide one to focus on the content of his paintings as opposed to their surface aesthetics.