The shadows on the sidewalks around Redwood City, Calif., have been doing strange things for the past year. That’s because Damon Belanger has been designing and painting fantastical faux-shadows that add creatures and other oddities under everyday objects. The effort is funded by the non-profit Redwood City Improvement Association, employing the San Carlos graphic artist to put his strange twist on cityscape.
The week-long mural event Festival Inspire recently took over Moncton, Canada, adding 31 new murals to the city. The festival used both internationally known and local artists to create works on varied backdrops throughout the region. Among the names include were Canada’s BirdO, Bordallo II of Portugal, Etien, Jon Fox, Jose di Gregorio, and several others.
Spanish artist Aryz has created massive public art across the world over the past few years. His style, a blend of pop art and vibrant surrealism, looms over city streets and waterways in recent stops in China, the Netherlands, and Belgium. The piece “Axis,” above, part of the Back to School Project, was created three months ago in Chongqing in southwestern China.
Japanese artist Motoi Yamamoto’s incredible installations made out of salt are entrancing to look at with their repetitive and meticulous patterns. Yamaoto has expressed that, in viewing his zen-like designs, he hopes others may find some point in their meditation for a healing or resolution of thought. His pure white crystalline works have been installed all over the world, most recently at the French castle of Aigues-Mortes.
A gigantic 20-foot tall inflatable refugee, which arrived in Copenhagen this week, is currently making headlines as it sails around the world. The sculpture is part of an effort by Belgian visual artist collective Schellekens & Peleman, who want to bring attention to the European refugee crisis- “a “symbol of the dehumanization of the refugee and the current refugee crisis happening in the world.”
A new public art installation at Bristol University in England is garnering attention for its captivating use of wood samples from more than 10,000 tree species. Titled “Hollow”, the installation is a collaboration by architects Zeller & Moye and artist Katie Paterson, who were inspired by the natural design of a forest canopy. Meant to represent the varying heights of trees in a forest, “Hollow” has an almost Tetris-like appearance, where the trees’ different sizes, colors and textures come together to form a shape like a puzzle- in the artist’s words, “a microcosmos of all the world’s trees”.