Scotland-based artist Ade Adesina creates massive linocut prints that he says reflect on both his African roots and European culture, “producing work that makes people reflect on the past, present and the future.” His practice linocuts, woodcuts, sculpture, and other disciplines. Known for enormous cityscapes and landscapes, recent work also features his own sensibility applied to still-life objects.
In Jesse Shaw’s “American Epic” series of hand-pulled linocut prints, the artist offers his interpretation of the American story, traversing consumerism, ritualism, technology, and other aspects in massive graphical works. So far, he’s completed more than half of the planned 50 prints in the series.
Kathleen Neeley’s linocut prints are infused with varying cultures across time, yet feel wholly contemporary in reflection. The artist looks at our relationship to the Earth, femininity, and other personal subjects while maintaining the elements and motifs of myths.
Raj Bunnag‘s massive linocut prints teem with monsters, overwhelming details, and contemporary reflections. The Durham, N.C.-based artist, in particular, has explored drug culture in these scenes, using mythical and mystical creatures at war to reflect on our relationship to drug culture from all angles, including over-criminalization.
In a set of encaustics and prints, artist Ethan Lauesen explores the perceptions of gender and LGBTQIA+ identity in regions like Interior Alaska. The work both documents and serves as a personal expression of those themes, also enveloping race and sexuality in this sprawling visual statement. Lauesen often shares looks into the process behind these works on their Instagram account.
Simon Lice‘s wood-cut relief collages are stirring looks inside the human body. In a recent show at Outre Gallery, titled “Headaches Coughing Fits,” the artist offered a set of these works, combining talents in drawing, printmaking, and curation of hues. The Melbourne-based artist, a jeweler by trade, is also influenced by tattoo culture.