Okuda San Miguel
The 43rd volume of Hi-Fructose will be here in April 2017! Pre-order the issue here. You can also subscribe to Hi-Fructose here.
Featured in this issue is: the paintings and sculptures of Okuda, a multi-page feature on the “War Toys” series of photographs by Brian McCarty, the architecture-inspired illustrations of Eric Wong, David Henry Nobody, Jr., an exhibitionist of the highest order in disguise, David Moreno who seems to draw lines of his house sculptures with wire instead of pencil, embroiderist Michelle Kingdom, the dynamic paintings of Hueman, the nature-infused sculptures of Kim Simonsson’s sculptures, plus multi-page reviews on new books from Junko Mizuno and Chuck Sperry. And a special 16-page sketchbook section on the art of Matt Gordon!
The 42nd volume of Hi-Fructose will be here in January, 2017!
Featured in this issue is: A cover feature on the paintings of Tara McPherson, the Beyond Grotesque paintings of Christian Rex Van Minnen, the latest work from muralist and painter Andrew Schoultz, an exclusive interview with Alex Pardee, the pop mash-up wooden sculptures of Mike Leavitt, the animal/human hybrid paintings of Matthew Grabelsky, Brazilian sculptor Monica Piloni, painter and illustrator Moon Chanpil, the mysterious sculptures of Philip Jackson, and a review of French illustrator Jean Julien‘s latest monograph, plus a 16-page Ello X Hi-Fructose Emerging Artists Showcase!
Get a preview of the next issue by clicking through and see the special exclusive item which will be included with subscribers’ issues while they last.
Pre-order the issue here. You can also subscribe to Hi-Fructose here.
Japanese artist Kazuki Takamatsu (featured in Hi-Fructose Vol. 16) has a new solo show opening at CHG Circa on June 21st, “Spiral of Emotions”. The show’s title epitomizes the ghostly spiraling layers in Takamatsu’s handpainted figures that look like 3D graphics. He will exhibit twelve new gouache paintings exploring the emotional disconnect between the old and adolescent generations of Japan. These compositions may be precisely designed with a digital technique called Depth Mapping, but the final result captures feelings that cannot be planned. For his debut exhibition with Corey Helford last year, “Japanese Ideology of Puberty”, Takamatsu infused elements of Japanese pop culture and fantasy that are further employed here. His new subjects appear “lost” and floating through ethereal visions of death, spirituality, and an uncertain future. See more after the jump!