During the last seven years, Ontario based artist Kit King has struggled with agoraphobia which is clinical anxiety in response to open spaces. As she explains, she lives her life “behind the same walls day in and day out” and worries she may never see her art outside the studio. Her emotions and relationship to spaces inform her works, featured here on our blog, and while highly technical, they represent the artist’s study of identity in the context of space.
Afarin Sajedi’s portraits of women are rarely pretty in the conventional sense or pleasant to look at. One might even call them deformed or strange, appearing almost alien-esque with their large heads and round eyes. Previously featured on our blog, the Iranian artist once described her work as “a little bit science fiction, a little bit realism”, mainly working from her imagination to create her emotive characters.
Casey Weldon’s paintings have always combined beauty with a dark sense of humor to convey a distorted version of reality. Featured in Hi-Fructose Vol. 32 and on our blog over the years, the Seattle based artist’s palette has gradually developed a neon-colored luminosity, where his subjects appear to be glowing and bio-luminescent. Moments of darkness and reflecting colors of electric lights are used to convey emotion and spark intrigue in the viewer.
The vivid oil paintings of Jenny Morgan capture an honesty about her subjects, drawn in a candid moment in the nude when they are at their most vulnerable. The Brooklyn based artist’s electrifying figurative work, gracing the cover of Hi-Fructose Vol. 39, balances abstraction and realism, combining beautiful design aesthetics with her subject’s unique complexion and emotion. Morgan herself has described her work as “psychological portraits”, focused on presenting the sitter’s psychological state.
When California based painter Brian M. Viveros debuted his “Matador” series last year, he unleashed a side of his sultry, smokey-eyed vixens that hadn’t been seen before. His subjects still exuded the sexiness that the “Dirtyland” artist has become known for, but clad in painstakingly detailed and shining clothing inspired by the iconic bullfighter, they held a newfound sense of passion and fire. For his upcoming solo at SCOPE New York, his first east coast showing since 2012, Viveros sought to channel the toughness and splendor from his “Matador” series in a new body of work.
What does it mean to be “normal”? Normality is different to different people, generally applying to what is considered acceptable and not out of the ordinary. To Los Angeles based artist Wyatt Mills, the idea of being “normal” has a broad meaning that he addresses in his latest series of chaotic mixed media paintings. Mills is an artist that likes to make observations about the human psyche, relating his work to a reflection of his reality which is never one thing and switches between different styles.