On Saturday night, Thinkspace celebrated Jacub Gagnon’s second solo exhibition at the gallery with “Worlds Collide” (previewed here). “My paintings become a space in which nature becomes unnatural, bordering surreal,” Gagnon shares. By leaving the surroundings of his royal animal subjects to the viewer’s imagination, the focus of his work becomes connectivity. In other words, Gagnon is inspired by the connection between human and animal relationships and mixes the two here. Gagnon begins his acrylic paintings with a black background, building the light and detail backwards until the final image is revealed. Details such as foxes wearing vintage teacups and bearded owls decorated with monarch butterflies are especially ornate.
On Saturday, June 7, the eminent pop surrealist painter Lori Earley opened a solo show at Opera Gallery in Soho, New York, featuring 34 new oil paintings as well as earlier portraiture drawings of her iconic female characters. The exhibition “The Devil’s Pantomime” is opulent in its simplicity. The artist beckons an otherworldly beauty by magnifying the intrinsic features of a woman’s face, and reaches the sensory-equivalent of how silk stockings, leather, and dewy skin feels in pure, color form.
A destination for international New Contemporary Art in Rome, Dorothy Circus Gallery was founded in 2007 by the passionate and savvy Alexandra Mazzanti. Mazzanti brought her extensive knowledge of both art history and contemporary art to the table, coupled with her keen awareness of pressing social issues. Dorothy Circus Gallery has not only hosted the solo shows of some prominent international artists like Ray Caesar, Joe Sorren and Kazuki Takamatsu — they’ve collaborated with historical Italian museums such as the Casa dell’Architettura in Rome and Palazzo Paesana in Turin, putting New Contemporary Art in dialogue with the established canon. Mazzanti’s latest endeavor is a social activism-oriented art project called “Spray For Your Rights,” a series of exhibitions that features street artists whose work speaks out on a variety of topics, from immigrants’ rights to feminism. We spoke with Mazzanti about the history of her gallery, her future ambitions and her personal art collection. Read the exclusive interview after the jump.
On Saturday at Merry Karnowsky gallery, Greg ‘Craola’ Simkins fell down the rabbit hole into a dreamland championed by the “Good Knight”. His latest exhibition (previewed here) shows us a strange and beautiful world where good and evil coexists as armies of decadent animal soldiers. Simkins was inspired by the memory of his parents wishing him “good night” and the elaborate visions that would follow. Take a look at our opening night photos after the jump.