International Women’s Day is celebrated on March 8th every year. In different regions, the focus of the celebrations ranges from general celebration of respect, appreciation, and love towards women for their economic, political, and social achievements. To mark the occasion, artist Olek joined forces with humanitarian NGO Maitri in a public art performance in New Delhi, India.
David Henry Nobody Jr. has been called the “bad boy” of Interventionist performance art, a visual artist who has earned a celebrity following for his works in diverse mediums, including installations and works with fabric and fashion. Since starting his career in the 1990s, David has inserted himself into social communities to produce his work, creating a bridge between art and life. The Brooklyn, New York based artist has recently taken his work to the social community of Instagram, a series of bizarre visual-collage selfies titled “Resemblagè”.
Sicily, Italy based artist Sasha Vinci creates haunting sculptures and installations that contemplate the nature of man’s existence. While his works can be morbid and a bit terrifying, as in his series of fleshy seated subjects waiting for eternity, Vinci also finds beauty and sexuality in the human figure. Known for his captivating and carnal sculptures, Vinci is a true multimedia artist, also exploring drawing, painting, writing, sound design and performance art.
San Francisco based Brice Frillici is a multimedia artist and performer who goes by the name of his unusual project “SEKDEK” (Spirit Extraction Kit, Demon Extraction Kit). It is an ongoing portrait series of himself, friends, and family members covered in colorful, psychedelic paint – and the result is fantastic and a little bit gory. Frillici describes his process as expressionistic painting by any means necessary; he spits, throws and spreads clay, acrylic paint, glitter, and flour onto his subjects, topping off their new personas with costume wigs, wild fabrics, and fake blood.
Photographer Shinichi Maruyama employs cutting-edge technologies to capture elegant and abstract images of liquid and human forms in motion. In a series entitled “Kusho,” which is part performance and part image making, Maruyama throws black ink and water into the air and records the moment the two separate mediums collide. Although these images could only have been captured using brand new strobe light technologies, Maruyama still draws his inspiration from timeless artistic practices and preoccupations. In his artist statement, he writes about memories of writing Chinese characters in sumi ink as a young student: “Once your brush touches paper, you must finish the character, you have one chance. It can never be repeated or duplicated. You must commit your full attention and being to each stroke.” Like the brushes of ink on paper, each depiction of the ink’s flight through the sky represents a fleeting moment that can never be recreated.