by Andy SmithPosted on

Robert Proch, an artist and animator based in Poland, created kinetic, seemingly erratic worlds in his paintings. Influences in the artist’s style include contemporary street art and graffiti, impressionism, and even “classic caricature.”

by Andy SmithPosted on

Los Angeles painter Lola Gil is known for her surreal, dreamlike works that reference the artist’s own history and the form itself. Her new show at KP Projects, “Outside in Doors,” collect paintings created over a two year span, which explore the subconscious and toy with scale and memory. Gil was last featured on HiFructose.com here.

by Andy SmithPosted on

Germany native Svenja Maaß creates paintings that are understood in waves, bringing heads to turn and speculate on each’s interworkings. Creatures seem to exist on differing planes than other components of the piece. Or as one gallery says, she describes her methodology “as a process which forces her and us to rethink again and again. Only slowly are things allowed to grow together.”

by Andy SmithPosted on

Matthew Ivan Cherry, a Boston-based painter, creates oil portraits that ooze with vulnerability and a erratic, yet cohesive style. He uses his subjects, often met on the streets or on social media, to explore issues of individuality, gender identity, and the inherent beauty of the human form. Certain projects, like “somewhereX,” are tethered to Cherry’s upbringing as a Mormon. The project features enormous portraits of LGBTQ mormons (whether active or inactive), including Cherry himself.

by Andy SmithPosted on


Netherlands-based artist Pim Palsgraaf created both 2D and 3D work that tackles urbanization and the effect “development” has on the world around us. His “Multiscape” series, in particular, is informed partially by the artist living in the industrial part of Rotterdam. The series highlights the “outgrowths of urban architecture.”

by Andy SmithPosted on


Kirsten Deirup, a New York-based artist, crafts surreal, sometimes unsettling paintings that toy with perspective and expectations. At times, the viewer may be unsure of what the creatures or objects at the center of her works are in truth. Yet, the engrossing quality to her works carries through.