by Andy SmithPosted on

Dan Gluibizzi, a Portland-based artist, mixes acrylics and watercolors for his works, each a collection of portraits that together create social examinations. Whether his subjects are in business attire or unclothed, an intimacy carries throughout the sparse works. The artist scours the Internet, specifically nudist blogs and Tumblrs, for inspiration in creating his paintings.

by Andy SmithPosted on

Philadelphia-based artist Jim Houser combines acrylics, found objects, and wood to create works that are both painting and collage. In using his “signature style of visual poetry and personal iconography,” the artist creates works that at once fresh and nostalgic. In a new show with Adam Wallacavage titled “And Yet Not Yet” at Philly’s Paradigm Gallery + Studio, Houser shows were this passion has led him lately. The artist was last featured on HiFructose.com here.

by Andy SmithPosted on

For the past few decades, New York City-based painter Lisa Yuskavage has challenged norms in figurative art and blended progressive concepts with acknowledgement to the history of the form.

by Andy SmithPosted on

Russia-born, New York-based artist Dima Rebus creates arresting watercolors with visuals that blend surrealism and modernized labeling. Recent works move between quiet scenes and crowd-filled cacophonies, packed with contemporary commentary. He was last featured on HiFructose.com here.

by Andy SmithPosted on

Robert Proch, an artist and animator based in Poland, created kinetic, seemingly erratic worlds in his paintings. Influences in the artist’s style include contemporary street art and graffiti, impressionism, and even “classic caricature.”

by Andy SmithPosted on

Los Angeles painter Lola Gil is known for her surreal, dreamlike works that reference the artist’s own history and the form itself. Her new show at KP Projects, “Outside in Doors,” collect paintings created over a two year span, which explore the subconscious and toy with scale and memory. Gil was last featured on HiFructose.com here.