Jasmine Worth uses religious iconography to recall and challenge the role women have played in historical narratives. Her contemplative new paintings are featured in the show “Future Past” at La Luz De Jesus Gallery. The show starts today and runs through July 1 at the Los Angeles space. Worth was last mentioned on HiFructose.com here.
In Ryan Hewett’s recent works, the painter uses disparate abstract elements to reconstruct the human form. The artist’s works focuses less on the harsh textures of past works, instead introducing new hues and formations into his portraits. The effect is both disconcerting and wholly absorbing.
This June, Kazuki Takamatsu kicks off a double solo show at both locations of Dorothy Circus Gallery, in Rome and London. “For Tomorrow” collects new paintings that bridge analog and digital art, crafting gouache and acrylic layers that recreate figures first imagined using 3-D software. The artist uses this method to also tether both Eastern and Western culture. Takamatsu recently created the cover for the Hi-Fructose Collected 4 Box Set.
Mr. Everybody’s paintings offer a clash of bleak imagery and playful vibrancy. The works, often minimalist in execution, tell of both street art and classical influences, with elegant figures and pop culture iconography playing a role. The artist’s own practice feels at home on both a gallery wall and a public wall.
Whether in a gallery or on a public wall, Li-Hill’s hybrid imagery carries distinctive energy, movement, and weight. The Brookyln-based artist uses painting, stenciling, and sculptural elements to create those pieces, often packed with social observation. The artist was last featured on HiFructose.com here.
The latest work from artist Greg “Craola” Simkins explores the daydreams of youth, offering alternative universes and fantastical creatures. His new show with KP Projects, “The Escape Artist,” collects those new paintings and drawings. Simkins was last mentioned on HiFructose.com here, and he created the cover and was featured in Hi-Fructose Vol. 41.