by Andy SmithPosted on

In an upcoming solo show at Jason Vass Gallery, Mark Dean Veca offers works crafted during the past nine years. “The Troubled Teens (Work of a Decade),” running Jan. 26 through March 9, features acrylic works like “Back Off,” crafting Yosemite Sam in Veca fashion. All of the paintings bring Veca’s stylized pattern-making and textures to reconstruct pop cultural and political symbols. Veca was last mentioned on HiFructose.com here.

by Andy SmithPosted on

Russian painter Andrey Remnev pulls from both centuries-old approaches and current, graphical influences. Yet, the artist says, the material he uses are decidedly classical in nature: “As painters of the past, I use natural pigments bound with egg yolk.” Remnev was last featured on HiFructose.com here.

by Andy SmithPosted on

In Marc Burckhardt’s paintings, the artist’s work tethers classical influences to contemporary comic and pop art. In a recent show at Paul Roosen Contemporary, “Fault Lines,” his newer mythological explorations are shown. Burckhardt was last mentioned on HiFructose.com here.

by Andy SmithPosted on

In Michael Tole‘s paintings, such as “Diana and Actaeon: Backwards and in Stiletto Boots,” the painter recasts mythological scenes through a contemporary lens. In this effort, Tole touches on gender and other cultural issues. The artist says that wardrobe pieces in the above painting are taken from the 2018 Moschino spring/summer line.

by Andy SmithPosted on

Stephanie Buer’s paintings and drawings capture structures in varying states of decay, yet at times carrying a hidden elegance. In “Wild Abandon” at Thinkspace Projects, she continues a body of work with roots in her time living in Detroit. Buer was last featured on HiFructose.com here.

by Andy SmithPosted on

In Jesse Mockrin‘s recent paintings, the artist quotes depictions of women and violence throughout the history of art, taking influence from Baroque work, Renaissance etchings, and other eras. In “Syrinx,” currently running at Night Gallery, the artist crops these influences and places them side by side. (Mockrin was last featured on HiFructose.com here.) The gallery says that “she first category considers images of women under duress, while the second category reclaims the condemned figure of the witch as a feminist forebear.”