A couple of weeks ago, Pejac shared a simple window drawing on his Facebook profile, as a tribute to legendary French high-wire walker, Philippe Petit. The drawing was done using acrylic on a window glass to commemorate the 40th anniversary of Petit’s walk between the Twin Towers of the World Trade Center in New York City. This simple idea, captured on camera by his friend Silvia Guinovart Pujol, shows the riskiness and fragility of the art of tightrope and is a great example of the Spanish artist’s style: simple, minimalist yet effective.
Meredith James is like a latter day Alice in Wonderland documenting what she sees in her journey down and through a contemporary rabbit hole. Her videos, installations, and sculptures play with scale and trompe l’oeil to create optical illusions that are as disruptive as they are funny. In “Day Shift”, a short video, she plays a security guard who, having just left work, crawls into the backseat of her SUV and reemerges as a miniature figure in the building’s security monitor. In Ames Landscape, an installation, two figures stand in a glade. A large mountain reaches skyward in the distance. The space is configured so that, though the space is logically consistent, one figure stands much taller than the other. In Hallway, another installation, a door opens onto stairs that lead down to the basement. The stairs, of course, go nowhere because the space is flat. The fact that the illusion is a dead ringer for the space’s actual stairs that lead to a real basement is not even remotely coincidental.
Amsterdam based artist Jeroen Bisscheroux creates optical illusions that bend the mind. His installations over the past decade transcend the limitation of what is physically possible with imagination. In reality, his work exists on a flat plane, but from the right perspective is like a portal to another dimension. Jeroen’s inspiration is the urban space- taking the world around us and putting it into the context of interactive art with a humanitarian message.