Belinda Wiltshire crafts stirring oil paintings, carrying abstractions or other surreal touches that add intimacy to each portrait. The Melbourne-based painter works primarily in the figurative, and at times, fellow artists appear in her pieces. Peers like Tamara Dean and The Huxleys have been depicted by Wiltshire.
Painter Kehinde Wiley was recently chosen by former President Barack Obama to paint his official portrait for the Smithsonian National Portrait Gallery. Wiley should be familiar to Hi-Fructose readers: His work appeared on the cover of Hi-Fructose Vol. 36 and was featured in the exhibition “Turn the Page: The First 10 Years of Hi-Fructose.”
The new oil paintings of New York-based artist Kajahl explore “the history and taxonomy of portraiture.” The paintings take notes from differing cultures through time for hybrid reflections on the history of human creativity. The artist’s current show at Richard Heller Gallery, titled “Unearthed Entities,” presents a new collection of these works.
Daniel Bilmes plays with texture in his oil paintings, with small and meticulous strokes crafting absorbing portraits. Often limiting his colors, Bilmes is able to extract a vibrancy out of his intricate linework and abstractions. His portraits seem to be a continuation of oil traditions while mixing in new applications.
Spanish artist Ivana Flores crafts pop-surrealist oil paintings with both a childlike sense of whimsy and ominous undertones. At grand sizes, the works carry an absorbing quality that pulls you into her worlds. Her work has been described as “reality, dream, everyday life and imagination merge at a turning point of boundless consciousness of self-image and world.”
Justin Bower’s abstracted, fractured faces maintain a sense of intimacy. In his latest oil on canvas works, Bower’s evolved this approach with new, startling “glitches.” He’s current part of the group show “Los Angeles Painting: Formalism to Street Art” at Bruno David Gallery in Missouri, and he was last featured on HiFructose.com here.