Stuart Snoddy, a painter based in the Midwest, creates “fantasies and fictions about imaginary people.” His oil works on paper and on canvas move between the wistful and the contemplative. And while Snoddy plays with form and hues, each of the artist’s pieces are distinctly human.
Next month, painter Alex Gross returns with his first show in a decade in Los Angeles, where he lives and works. For most, “Antisocial Network” may conjure images of handheld devices and laptop screens, yet this show takes a broader approach to the term. Smartphones, VR headsets, corporate branding, and internal preoccupation all offer a different take on what the artist intends with this new collection at Corey Helford Gallery. The show kicks off Feb. 25 and lasts through March 25. Gross was last featured on HiFructose.com here.
Van Arno’s latest series, “Upright,” represents yet another evolution for the painter, who has worked professionally for two decades and taught for five years. Arno was last featured on HiFructose.com here.
Oil painter Alex Garant, also known as “Queen of Double Eyes,” brings a new collection of works to Arch Enemy Arts in Philadelphia. “Viscera,” which kicks off Friday (Jan. 6) and runs through Jan. 28, features four new paintings and three ink studies. The ink works are intended to represent a broader trinity of life: mother, daughter, and spirit. Garant was last featured on HiFructose.com here.
Italy-born painter Fulvio Di Piazza offers a new collection of oil works on canvas in the new exhibit “Entangled” at Jonathan Levine Gallery in January. The solo show kicks off on Jan. 7 and runs through Jan. 28. Di Piazza was featured in Hi-Fructose Vol. 25 and the exhibit “Turn the Page: The First Ten Years of Hi-Fructose,” a collaboration between the magazine and Virginia MOCA.
Denis Sarazhin, a Ukraine-born artist, crafts textured oil paintings that convey both mystery and motion. His “Pantomime” series, in particular, focuses on gestures and a dramatic sense of motion through multiple limbs and hands. His work has been compared to masters like Egon Schiele, though through the kinetic nature and specific use of color in his work, Sarazhin has forged an approach all his own.