The figures in Mo Di’s oil paintings on canvas appear as apparitions and transient, between reality and a dream. In her latest works, these surreal narratives reflect on femininity and life’s stages. The artist has her first solo show in Shanghai in the upcoming “My Dream is a Cage” at FQ Projects. The show runs from April 22 through June 30 at the gallery.
Ohio-born oil painter Herb Roe creates surreal scenes that are actually grounded in reality. Recent work documents the Courir de Mardi Gras, a traditional pre-Lenten bash attended by Cajun and Creole residents of his adopted home of Louisiana. In these celebrations, revelers wear costumes “drawn from medieval traditions, frontier era depictions of Native Americans and political and social commentary,” the artist says. Partially disguised, the members of these parties bring a lively and uninhibited energy to the proceedings.
The billowed rugs and other objects in Antonio Santin’s ghostly oil paintings are rendered with unsettling realism. The Madrid native works in “elaborate still-lifes,” as he alters his subjects to create new realities. The artist taps into the tradition of Spanish Tenebrism and a sculptural background to dream up and execute these works on canvas. When photographed from a distance, the work still turns heads, with the viewer attempting to understand what he or she is seeing. He was featured in Hi-Fructose Vol. 18 and was last featured on HiFructose.com here.
Patricia Traub’s oil paintings exist at the intersection of art and activism. These works attempt to humanize her animal subjects, in a way that showcases both their inherent beauty and rights to live in the world untortured. In her group portraits, in particular, she places animals and humans among each other in a way that emits harmony and equation of value.
Hollis Dunlap, a Vermont-born artist, crafts portraits that blend painted realism and sculptural concepts and abstractions. These oil paintings can appear as distorted photographs, yet hidden within these textured backgrounds and surprising hues are several hidden decisions and possibilities. Hollis started painting when he was 14, studying strictly realism before developing this current style.
John Jacobsmeyer’s oil paintings on aluminum recall nostalgic and imaginative experience, using wooden backdrops and technology-inspired shapes. These works at once feel aged and modern, and while humor runs throughout his recent works, several ring of sincerity and vulnerability. And a few others have skeleton warriors. Jacobsmeyer has cited Gene Roddenberry, Nietzsche, David Lynch, and Mary Shelley as influences.