(A collaboration with Celeste Byers)
Aaron Glasson’s murals, though surreal and vibrant in an otherworldly sense, are firmly grounded in reality, often depicting real people and their personal journeys. The artist, born in New Zealand and living in the U.S., crafts murals across the world, in addition to work in illustration and gallery paintings. He cites his themes as “relationship to the natural environment, community empowerment and education, indigenous knowledge, the subconscious, and the unseen.” Several of his recent murals are collaborations with artist Celeste Byers.
Smithe’s visceral illustrations disassemble and mechanize the human head, exploring both psychological ideas and how the body can be manipulated. Whether it’s on a screen or adorning a massive wall, his works warrant extended contemplation. The artist often offers process images on his Instagram account.
Mexico City artist Mazatl crafts murals that both implement and emulate the artist’s talents in woodcut imagery. In frequent collaborations with fellow mural and graphic artists like Kill Joy, the artist’s distinct use of blacks and perspective make for eye-popping efforts across unexpected spots. The above mural, in Cholula, Puebla, is one of the artists’ most recent pieces.
The “street interventions” of Belgium-based stencil artist Jaune put sanitation workers in strange, often humorous situations on walls across the world, using the contours and features of each site for inspiration. For many, the stencil work recalls the public work of practitioners like Banksy and Blew le Rat. His specific usage of sanitation workers, however, comes from personal experience.
French pair Ella & Pitr once again tackle a topical social issue in their latest major mural. At more than 150 feet high, “Le Naufrage de Bienvenu (The Sinking of Welcome)” tells of a refugee seeking passage between the mountains on either side of Piney’s dam in the Valley of the Gier in Loire. Ella & Pitr were last featured on HiFructose.com when they created the world’s largest mural.
From small canvases to enormous walls, the works of Adele Renault often contain one of two things: pigeons or people. In vibrant, vivid detail, these beings are captured and isolated on every scale. The artist was raised on the Belgian Ardennes and is based in Amsterdam, but her works appear on structures around the globe.