On Saturday at Mark Moore gallery, Rob and Christian Clayton aka Clayton Brothers brought together an expansive body of eclectic work, “Open to the Public” (previewed here). The exhibition includes everything from miniature drawing, painting, sculptures, interactive video and an installation that is like a twisted child’s playroom. The brothers credit their thrift shop “mecca”, the Sun Thrift Store in Sunland, CA as the visual inspiration.
While Rob and Christian Clayton (collectively known as the Clayton Brothers) are known for their color-saturated paintings of surreal characters, the artists shed their polished veneer in favor of quick drawings with a sense of immediacy for their upcoming show, “Open to the Public” at Mark Moore Gallery in LA. For the exhibition, the artists studied the peculiar microcosm of Sun Thrift Shop, a local second-hand store where trash becomes treasure. The Claytons present a series of assemblages and works on paper based on their documentation. They utilize not only found objects found at Sun Thrift, but sketches of customers who become warped through the brothers’ lens. Similarly to the ways thrift store shoppers find ways to repurpose used items, the Clayton Brothers offer a fresh perspective on what could easily be written off as shabby and mundane.
Japanese artist Kenichi Yokono was on hand Saturday night for his opening of “The New Suburbs” at Mark Moore Gallery. Yokono’s show is a jarring vision of Japanese suburbia. Matched with Cheryl Pope’s reaction to violence in America, “Chain Reaction”, one could mistake Yokono’s pictures for a murder scene. True, it might look like spilled blood- but if you look closer, you’ll see its just last night’s dinner. Read more after the jump.
Now on view at Mark Moore Gallery’s project room is “Hunting Trophies” by Jeremy Fish, marking his first solo exhibition there. (We previously covered Fish’s work at Mark Moore gallery here.) Fish injects a high dose of color to the space where he appears next to Christopher Russell’s monochromatic prints, “GRFALWKV”. Walking into the exhibit is like stepping inside Fish’s own trophy room, stacked with cartoon animal ‘kills’ in his highly saturated, illustrative style. Hi-Fructose caught up with Fish to talk about his new work.