Philadelphia-based artist Jim Houser combines acrylics, found objects, and wood to create works that are both painting and collage. In using his “signature style of visual poetry and personal iconography,” the artist creates works that at once fresh and nostalgic. In a new show with Adam Wallacavage titled “And Yet Not Yet” at Philly’s Paradigm Gallery + Studio, Houser shows were this passion has led him lately. The artist was last featured on HiFructose.com here.
This past weekend, Philadelphia-based artist Jim Houser opened his solo show at FFDG in San Francisco. Titled “Night Got Quiet, Not Quite Light.” The exhibition consists of Houser’s highly recognizable patchwork assemblages, as well as some minimalist mixed media works and site specific installations. Predominantly confined to his signature square format, this new show is a continuation of Houser’s exploration into the relationship between the visual and the aural. The interplay between text and imagery in Houser’s work makes way for an emotional narrative open to the interpretation of the viewer. Playfully rendered and meticulously composed, Houser acts as a visual storyteller, evoking an unencumbered youthful sentiment.
Jim Houser’s paintings for his upcoming show “Night Got Quiet — Not Quite Light,” opening July 11 at FFDG in San Francisco, illustrate small, personal vignettes. The Philadelphia-based artist’s works combine a multitude of influences that give them a folkloric, antiquated feel. The text Houser frequently uses recalls the hand-painted signs of past decades; his patchwork-like compositions layer colors like the different fabrics in a quilt. It’s as if his work yearns for the hand-made softness and imperfection that has largely been lost in a world of ultra-modern, computerized design.