The materials of Atsuko Goto’s otherworldy paintings are as intriguing as her subject matter. Her pigments are made from semi-precious Lapis-lazuli and gum arabic, which helps her create her hazy, subdued palette. While decidedly dark, there is a softness in her portrayal of ethereal beauties, loosely based on Izanami-no-Mikoto or the goddess of creation and death.
Yasuyo Fujibe’s softspoken, decorative works immediately caught our eye at LA Art Show last week. Her pieces there represented a departure from her older monochromatic paintings of faces in favor of new bolder elements. This would be her unique portrayal of doe-eyed girls in the arabesque style of Islamic art. Her use of surface decorations are based on the linear patterns of foliage and snowflakes, tiled repeatedly in a lace-like manner. Quiet yet intense, girls stare dreamily through their veils of interwoven lines.
Tokyo based painter Yugo Kohrogi sees life through a unique filter. His exhibition “Ripple”, now on view at Cashi gallery in Tokyo, presents interpretations of the female form with a ripple effect. Kohrogi’s images undulate with an invisible energy that changes from piece to piece. Looking through broken glass or a watery surface might distort an image differently, and it’s these subtle differences that Kohrogi observes.
Tokyo-based teamLab is a group of 9 creators- artists, video, sound designers, and programmers- who transform spaces with their interactive installations. Their most recent installation “Flowers and People – Gold and Dark” is now on view at the Japan Society in New York. It is part of a larger exhibition that includes works by Manabu Ikeda and Hisashi Tenmyouya, their “Garden of Unearthly Delights”. A monster tsunami has just uprooted a major city. teamLab’s contribution represents a perpetual blooming and withering of life.
Japanese artist Yasuto Sasada, just 27 years old, has already made a name for himself in the modern art and fashion world, through his collaborations with Yohji Yamamoto. Sasada has his own visual language that combines cultural traditions with the future. His detailed pen drawings of creatures mix motifs from modern technology and religion. Their black and white tonality, achieved with a thin 0.3mm pen, is harshly contrasted against bright pink, blue, and green backgrounds. He’s created a new form of painting that juxtaposes old and contemporary ideas, taking us into an entirely new dimension.
On view as of yesterday, Galerie Perrotin is exhibiting Japanese artist Makoto Aida’s first major exhibition in Hong Kong. The show presents some of his most well-known artwork, in addition to experimental new pieces with the loose theme of metamorphosis. There are different interpretations of the world’s changes in recent years, from politics to global warming. At the center of it all is his new sculpture “Space Tripper 1455″ (lovingly called “Comet-chan”). See more after the jump!