Carson Davis Brown’s “Mass” project puts site-specific, color-based installations in big box stores and other “places of mass” without permission. These visual disruptions take otherwise disparate objects and groups them into temporary sculptures. The project has taken the artist to stores across the U.S. A primary charge for the project is to make passers-by more aware of their environment by recontextualizing the items around them.
Chun Sung-Myung creates surreal, figurative installations full of sculpted characters often having the artist’s own face. These dreamlike situations move between distress, somberness, and a broader vulnerability. The characters, representing part of the artist’s own psyche, often exist in modes of solitude or surrounded by otherworldly creations.
At the National Art Center in Tokyo, Emmanuelle Moureaux helps the spot mark its 10th anniversary with the installation “Forest of Numbers.” This “symbolization of the next 10 years to come” consists of more than 60,000 suspended numbers, with a path cut through the work so that visitors can immerse themselves inside of the “forest.” The 10 layers of the piece represents a decade, with 4 digits that represent years between 2017 and 2026. Moreso, 100 shades of hues were used in the installation. It took 300 volunteers to pull off the work.
Adam Parker Smith, a sculptor and installation artist based in New York, creates works that offer different insights at every perspective. His sculptures, made from resin, fiberglass, steel, and preserved mylar, emulate party balloons, recalling the work of artists like Jeff Koons. Yet Smith exposes the hollow innards of his work at different angles, and calls upon inspiration from centuries past.
Famed sculptor/installation artist Richard Wilson creates “architectural interventions,” in which otherwise everyday building faces and structures are shifted in dreamlike fashion. Through brilliant engineering, the artist takes the elements of our day-to-day experience inside and outside in ways that may seem impossible at first glance.
The easily stirred may want to avoid rooms transformed by Austrian artist Peter Kogler, whose funhouse-like creations place wild patterns and illusions inside various spots across the world. Kogler uses varying mediums and disciplines to accomplish this, from architecture and computer art to painting and sculpture. Each of these creations feel like a new reality, in which twisting and writhing shapes envelope the viewers.