At the National Art Center in Tokyo, Emmanuelle Moureaux helps the spot mark its 10th anniversary with the installation “Forest of Numbers.” This “symbolization of the next 10 years to come” consists of more than 60,000 suspended numbers, with a path cut through the work so that visitors can immerse themselves inside of the “forest.” The 10 layers of the piece represents a decade, with 4 digits that represent years between 2017 and 2026. Moreso, 100 shades of hues were used in the installation. It took 300 volunteers to pull off the work.
Adam Parker Smith, a sculptor and installation artist based in New York, creates works that offer different insights at every perspective. His sculptures, made from resin, fiberglass, steel, and preserved mylar, emulate party balloons, recalling the work of artists like Jeff Koons. Yet Smith exposes the hollow innards of his work at different angles, and calls upon inspiration from centuries past.
Famed sculptor/installation artist Richard Wilson creates “architectural interventions,” in which otherwise everyday building faces and structures are shifted in dreamlike fashion. Through brilliant engineering, the artist takes the elements of our day-to-day experience inside and outside in ways that may seem impossible at first glance.
The easily stirred may want to avoid rooms transformed by Austrian artist Peter Kogler, whose funhouse-like creations place wild patterns and illusions inside various spots across the world. Kogler uses varying mediums and disciplines to accomplish this, from architecture and computer art to painting and sculpture. Each of these creations feel like a new reality, in which twisting and writhing shapes envelope the viewers.
Jo Cope, a conceptual fashion designer, mixes fine art and fashion. The artist intends to create pieces that are “hybrid installations that are perhaps only possible in a gallery but that nonetheless create a wearable garment and suggest alternative futures for fashion design.” Due to this blending of fields, her work has appeared in design stores, boutiques, and galleries across the world.
Sculptor Katie Grinnan first unveiled the sculpture “Mirage” in 2011, offering an exploration of movement and space. Constructed from friendly plastic, sand, and enamel, the piece first debuted as part of an exhibition at Brennan & Griffin. The piece is actually a cast of Grinnan’s own body, set in various poses during a yoga routine. The work also calls back to Hindu art, in which gods display several limbs and omnipresence.