Cai Guo-Qiang’s work, including the monumental “Sky Ladder,” transforms the space with seemingly minimalist strokes. However, much of the work comes out of meticulous planning and labored execution. Recent portraits also continue the artist’s use of surprising materials, such as the gunpowder portraits below.
Rina Banerjee, known for dazzling sculptures crafted from material sourced around the globe, has her first mid-career retrospective in an exhibition at San Jose Museum of Art, kicking off this month. “Make Me a Summary of the World” begins on May 16 and runs through Oct. 6 at the space. The exhibitions is curated by the museum staffer Lauren Schell Dickens and Pennsylvania Academy of the Fine Arts curator of contemporary art Jodi Throckmorton.
Aristarkh Chernyshev uses contemporary technology to rethink the figurative sculpture and explore our relationship to the digital. In a new set of works currently at Ekaterina Cultural Foundation, the artist offers his latest examples of this. In the group exhibition “Breakthrough,” the artist’s work, “Critical Update,” “is focused on an ‘undownloadable’ self-portrait made with the author’s own technique for texturing 3D objects,” the group says. The foundation exhibition supports palliative care and new medical technology.
French artist JR‘s elaborate installation consisting of more than 700 electric train wagons is now permanent at Villa La Coste in France. The work, which only momentarily reveals images as the trains circle, calls back to the artist’s own travels across the world, creating massive works and pieces on this scale. The work was first commissioned by Chateau La Coste. JR was last mentioned on HiFructose.com here.
Manuel Calderón’s animated works use the artist’s body as its primary element, but these aren’t exactly self-portraits. They reflect on the space we inhabit and the broader implications of our day-to-day movements. His recent work, in particular, pushes even further the idea of abandoning any specific story to tell and instead conveying a broader narrative of existence.
Looking toward Hi-Fructose’s 14th year in publishing, the atrium at SCOPE Miami Beach (Dec. 4-9) will host three installation projects from the HOT TEA, Okuda San Miguel, and AJ Fosik. In the below Q&A, we talked to one of those artists, HOT TEA, about the evolution of his installation practice, traveling the world, and what he plans for the fair.