New York-based artist Yohei Horishita creates digital illustrations with a textured effect that evokes traditional painting. His work is ornate and figurative, juxtaposing human characters with imaginary settings that seem to belong to no particular time or place. Flowers and feathers consume his backgrounds, cultivating a fantasy space removed from our contemporary reality. While Horishita does extensive client work, his pieces have a distinct style that allows them to stand alone.
Polish-born, German-based designer and illustrator Sebastian Onufszak has created graphics for dozens of big-name clients — from Karl Lagerfeld to Starbucks — but in his personal work, he pulls out all the stops. Onufszak’s chaotic drawings and paintings look as if the lid of his subconscious was taken off completely. Characters are piled together in an orgiastic cacophony of faces and limbs; every color of the rainbow is used liberally; loud, seemingly meaningless text is scrawled everywhere that it can fit. Calling his style dreamlike would be an understatement, as few of us have dreams quite this vivid.
Russian artist Yulia Brodskaya creates playful illustrations, installations and paper cut works using a unique method she developed after leaving her graphic design job in 2006. The artist rolls tiny strips of colorful paper into spirals that she aggregates into larger shapes, creating textural works that lie somewhere on the horizon between two and three dimensions. Her whimsical, springy work invites a sense of optimism. While paper cut art is typically a small-scale medium, Brodskaya often creates mural-sized artworks and installations for commercial clients, using paper to transform rigid spaces into fantastical realms.
As an artist whose illustrations have natural fluidity, it’s no wonder that Kelly Vivanco found herself painting water in “Peculiar Tides”. Her latest solo at Thinkspace gallery has a water theme, an element that has captured our imagination for centuries. Water is a source of life and vitality, doomed disasters, bold adventure stories and some of the world’s most curious mysteries. Telling its story is an undertaking felt by Vivanco’s roughly 40 paintings created over 8 months, sculptures, and a narrative starring childlike heroines that vaguely resemble the artist.
London-based illustrator and artist Martin Tomsky turns the dancing line of the pen into dynamic sculpture with his multi-layered woodcuts. In one artwork, several wood pieces in varying degrees of brown are cut into swooping arabesques and lain over one another to create the essence of a whirlwind. At the center, a cube is trapped inside a slightly larger box. A larger-than-life insect with menacing fangs watches over the heart of the piece, as if protecting Pandora’s box. In his illustrations, Tomsky invents fantasy worlds where good and evil battle one another in nature. The same thematic oppositions can be seen in his woodcuts. Trees and clouds meld into one another to create a single ominous sky-canopy. In the darkness below, owls hide in trees, supposedly from the giant bearded millipede that wraps itself around a central tree trunk. The ground below, sprouting with mushrooms and speckled with unknown creatures, is as petrifying as the sky above.
All that should look solid melts right off in the compositions of Alessandro Ripane. Many of his characters have a mass of dripping liquid with plants protruding in all directions in lieu of real faces. Other figures sprout plants from their limbs while their gleaming white bones peek through. Yet these morbid compositions manage to keep a whimsical twist; in some, giant pink ice cream cones drip heavily. Genoa-born Ripane remembers collecting comic books and volumes on wild animals, a habit that definitely informs his strange imagery. Each vignette gives the sensation that the viewer is walking in on the strange characters. A couple cuddling becomes a strange mass of plants, melting parts and mangled flesh. But not all is lost: Ripane makes sure to let one of the figures keep his socks and shoes on. Part Surrealism, part satire and all visceral, Ripane’s works leave few parts intact but offer plenty of visual gems.