by Andy SmithPosted on

The disturbing, dreamlike figures of Cajsa von Zeipel are crafted in mixed media. The artist’s practice moves between polished, bronze creatures and ones created with materials like resin, fiberglass, plaster, styrofoam, steel, synthetic hair, wood, and more. Many seem to be involved in their own narratives, experiencing feelings of terror, ecstasy, or in transit.

by Andy SmithPosted on

The figurative works of Paul Reid revive the world of ancient Greek mythology, yet render new scenes through the artist’s contemporary vantage point. Though Reid’s education and understanding of form owes much to the masters of yesterday, his own cinematic style comes through in each of these scenes, feeling at once elegant and casual.

by Andy SmithPosted on

Muralist Eron crafts enormous works that bring both atypical textures and historical context to the structures. One recent piece by the artist (below) “is dedicated to the history of the village and to the destructive fire that was deliberately set in retaliation for italian partisan activities on 3 July, 1944,” the artist shared on Instagram. “The fire destroyed most of the houses.”

by Andy SmithPosted on

In Katja Novitskova‘s recent, massive installation, “Invasion Curves,” the artist offers an environment with creatures taken straight out of nature and the laboratory. The recent exhibition at Whitechapel Gallery offered a fictional landscape facing a “biotic crisis” (or a period of mass extinction), “where imaging and technology are used in a process of mapping the exploitation of life,” the gallery says.

by Andy SmithPosted on

Jen Mann’s stirring oil portraits blend realism and abstraction, isolating aspects of the face for photo-negative representations and graphic notes. Mann uses contemporary iconography in her works, using emojis and film subtitles as inspiration. Her toying with a single subject over many portraits represent the prism of personality.

by Andy SmithPosted on

Tony Pro’s figurative work ranges from classical to reflections on pop culture, with the latter offering a look into the painter’s sharp humor. Series like “Sarcasm” take contemporary figures and recontextualizes them both with elegance and in parody. A bio cites his schooling at California State University, Northridge and studying under Glen Orbik has pivotal in the formation of his practice.