With “Scatter My Ashes on Foreign Lands,” Amir H. Fallah’s largest solo museum exhibition is currently on display at MOCA Tucson. Exploring identity and the immigrant experience, his vibrant portraits of veiled subjects, botanical paintings examining classical Dutch work, and a new series of autobiographical pieces are included in the exhibition. Fallah was last featured on our site here.
With Leon Keer’s recent output, the painter continues to craft illusionary gallery work, murals, and installations that play with depth and nostalgia. A recent piece for Thinkspace’s anniversary show, titled “Addicted” (below), also saw the artist toying with lenticular painting. On his Instagram page, Keer has also been sharing his anamorphic rooms, in which he moves in and out of the scenes to show their actual planes.
Unit London is hosting a retrospective and memorial show to honor the late Tom French, the brilliant young painter who lost his battle with cancer on Christmas Day 2019. “Transcend” offers a riveting set of mostly monochromatic works, 16 in total, from the artist, who was born in 1982. The show runs Jan. 30 through Feb. 19 at the space.
Bisa Butler offers new narrative quilts with two exhibits this spring, at Claire Oliver Gallery and her first solo museum effort at The Katonah Museum of Art. The fiber artist creates startling portraits and scenes with fabric, with her work often being mistaken for paintings. An extended feature on her work appears in Hi-Fructose Vol. 54. Her gallery show runs Feb. 29 through April 18, and her museum show runs March 15 through June 14.
The illusionary works of Thomas Medicus include “What It Is Like to Be,” an anamorphic sculpture consisting of 144 hand-painted strips of glass that reveal new images when turned. Each of the strips were painted separate from another, and specifically, the new images are revealed when the piece is turned 90 degrees. See more of his past experimental works below.
The illustrations and personal work of artist Jay Torres have a dark surrealist edge. The El Paso-raised artist, now based in Pasadena, moves between analogue and digital tools to craft his creations.