Patrick McGrath Muniz tracks issues like climate change through the iconography and mythology of several cultures over time. In the show “Credo” at La Luz De Jesus Gallery, the artist’s recent work in this vein is collected.
The embroidered monsters of Tracy Widdess add an unexpected texture to the horror genre. The Vancouver artist has called her practice “brutal knitting.” And with her talents in crafting textile fright, she embodies that label with both wearable and standalone pieces.
Jamie Adams offers striking oil paintings that “present the artist’s reconstruction of scenes from his father’s youth” in the new show “Blondie Bubba” at Jonathan Levine Projects. The works blend the influences of varying artforms while examining the idea of memory. Adam was featured in Hi-Fructose Vol. 40.
Carlo Alberto Rastelli, a painter who lives work works in Milan, blends an off-kilter palette and perspective with unexpected textures to explore humanity and art history. His works can feel at once intimate and otherworldly in how they approach depth and form. The painter attended the Academy of Fine Arts of Brera, Milan, and studied at the Academy of Fine Arts in Riga.
Norman Rockwell Museum connects the work of American illustrators to the history of narrative realism in the upcoming exhibition “Keepers of the Flame: Parrish, Wyeth, Rockwell and the Narrative Tradition.” The exhibition, opening June 9 and running through Oct. 28, tethers Golden Age illustrators in the U.S. to 500 years of European painting, with artists like Maxfield Parrish, N.C. Wyeth, and Norman Rockwell featured. It arrives at a time when the genre has received renewed interest, as the Lucas Museum of Narrative Art, set to open in Los Angeles in 2022.
Coming in October: “Hi-Fructose Presents: The Art of The Mushroom,” an exploration into artists’ interpretations of the friendly, deadly, tasty, hallucinogenic, phallic, alien, and legendary mushroom. The show is curated by Hi-Fructose, premiering at Oakland’s The Compound Gallery on October 20. (Above art by Naoto Hattori.)