by Andy SmithPosted on

Rogan Brown’s paper sculptures depict complex scientific processes and organisms. The artist, as what he calls a “non-scientist” or “outsider,” attempts to reconcile and recreate the life of bacteria, the effects of quantum physics, and other true-to-life research, through his own singular creative sensibility.

by Andy SmithPosted on

Ryan Bock’s new immersive show at Ki Smith Gallery takes influence from the 1921 German horror film “The Cabinet of Dr. Caligari,” transforming bed frames and other “functional items made non-functional” in a dream-like environment. We’re given an exclusive first look at “Somnambulist,” which opens on Oct. 26, in this post. Installation shots for the exhibition were taken by photographer Roman Dean.

by Andy SmithPosted on

Travel to a time where humans prevail in all their primeval glory in Attaboy’s new show at The Compound Gallery. This body of work includes the buzzed-about rock paintings on rocks, adding to the meta-nature of the new show that seems to be extracted from animation. Is this place the fate of the future or is it a temporal glimpse into our primitive past? Either way, you are sure to enjoy a silent moment with the Monocrag—or take a hike on the Triple Cragscape. Come for the humans, stay for the future. The “Future Human” sideshow will be up in the grey gallery beginning October 19, so you better get yourself a souvenir before this painted epoch ends.

by Andy SmithPosted on

Lari Pittman’s distinct visual language is given a comprehensive treatment in his current retrospective at Hammer Museum in Los Angeles. “Lari Pittman: Declaration of Independence” represents four decades of progression for the mixed-media artist. The exhibition runs through Jan. 5, 2020, at the space.

by Andy SmithPosted on

With “Sorayama Space Park by AMKK” at Central Embassy in Bangkok, the futuristic creations of Hajime Sorayama fill the space, including a lifesized aluminum Tyrannosaur. The immersive installation focused on the dinosaur-themed work of the celebrated illustrator, who rose to prominence in the 1980s for his “sexy robots” representing the timeless male gaze theory. The project marks the 5th anniversary of Central Embassy.

by Andy SmithPosted on

With “Shine,” painter Ken Flewellyn further explores the golden age of hip-hop and intersecting cultures. The show, currently running at Thinkspace Projects in Culver City, offers a set of new works, including a collaboration with artist Brian Viveros. Flewellyn was recently featured in print with Hi-Fructose Vol. 47.