“Since I am not so good at making words to describe what I think and want, I choose to draw. And since I love to see the harmony in beautiful color relationships to emphasize
the stories among everything that surrounds me in the real world, what I see and what I draw, I choose to paint,” Mari Inukai shared at the opening of her GR2 show, “Marilla Blue and Orange.” The exhibition blurs the lines of her signature worlds, in terms of her narrative and artistic styles. In addition to her new paintings (previewed here), which she describes as a mixture of Taoism, harmony and balance, nostaligia, fantasy, reality and dreams, the show also features her process sketches.
This Saturday, Mari Inukai is returning to Giant Robot with her expressive new series, titled “Marilla Blue and Orange”. Inukai has long experimented with personal symbolism that blends her fantasy and reality worlds together. For this upcoming show, she takes a step into her imaginary world and brings her recurring subjects, including her daughter, and characters with her. Her narrative begins with a charming collection of pencil drawings, which she brings to life in illustrative paintings.
“Sasayaki No Tsudoi” Translation: Gathering Whispers. On Saturday night, Giant Robot celebrated Edwin Ushiro’s new ‘tra-digital’ works on plexiglass (previewed here), a luminous combination of traditional and digital. When we last saw him, it was back in 2010 for his show with Yoskay Yamamoto at Roq La Rue, Ushiro’s first trial with this technique. His unique manner of working was recently documented in Thrash Lab x Giant Robot’s artist documentary series, which played at the opening. It offered a rare insight into his private process of sketching, digitally painting, and reapplying the work onto plexiglass for final, hand painted touches.
Los Angeles based artist Edwin Ushiro (featured here) was raised in Maui and we get to relive his tropical childhood in his upcoming solo show “Gathering Whispers”. Opening July 12th at Giant Robot’s GR2 gallery, Ushiro’s new show is a ‘gathering’ of memories that feel familiar even if you didn’t grow up in Hawaii. His dreamy images capture tiny scenes taking place in overwhelming landscapes. Sometimes, they are split in half and a little wavy, as if we’re peering through a fractured mirror. Get a preview courtesy of the artist after the jump.
Yoskay Yamamoto’s artwork has always expressed a charming and nostalgic feel. His sense of nostalgia as a Japanese artist living and working in Los Angeles is unique. His latest exhibition, “House of Daydreamers”, which opened Saturday at Giant Robot’s GR2, defines the physical and emotional meaning of the word “home”. For some, home can be many things. It can be as broad as the place where you grew up, a dollhouse of imaginary characters, or even the planet Earth. Yamamoto’s new paintings, drawings, and basswood figurines created over the past year explore all of these possibilities.