“Sasayaki No Tsudoi” Translation: Gathering Whispers. On Saturday night, Giant Robot celebrated Edwin Ushiro’s new ‘tra-digital’ works on plexiglass (previewed here), a luminous combination of traditional and digital. When we last saw him, it was back in 2010 for his show with Yoskay Yamamoto at Roq La Rue, Ushiro’s first trial with this technique. His unique manner of working was recently documented in Thrash Lab x Giant Robot’s artist documentary series, which played at the opening. It offered a rare insight into his private process of sketching, digitally painting, and reapplying the work onto plexiglass for final, hand painted touches.
Los Angeles based artist Edwin Ushiro (featured here) was raised in Maui and we get to relive his tropical childhood in his upcoming solo show “Gathering Whispers”. Opening July 12th at Giant Robot’s GR2 gallery, Ushiro’s new show is a ‘gathering’ of memories that feel familiar even if you didn’t grow up in Hawaii. His dreamy images capture tiny scenes taking place in overwhelming landscapes. Sometimes, they are split in half and a little wavy, as if we’re peering through a fractured mirror. Get a preview courtesy of the artist after the jump.
Yoskay Yamamoto’s artwork has always expressed a charming and nostalgic feel. His sense of nostalgia as a Japanese artist living and working in Los Angeles is unique. His latest exhibition, “House of Daydreamers”, which opened Saturday at Giant Robot’s GR2, defines the physical and emotional meaning of the word “home”. For some, home can be many things. It can be as broad as the place where you grew up, a dollhouse of imaginary characters, or even the planet Earth. Yamamoto’s new paintings, drawings, and basswood figurines created over the past year explore all of these possibilities.