Artist Niels Corfitzen toys with light and abstraction to create surreal portraits. The blemishes strewn across his works appear as both analog and digital distortion, offering both a vulnerability and mystery to the figures he depicts. Often, his work plays on both outdoors backdrops and flashes of culture.
Obesity was once synonymous with wealth in China. That idea has evolved into a more Western equation of excessive weight gain to the unhealthy and the undesirable. Sculptor/painter Mu Boyan places a different lens on this with his series of obese figures in varying situations. His so-called “Fatty” series appears to comment on this complicated standard. At once vulnerable and exhibitionist, full of absurdity and full of humanity, these sculptures place characters in several unlikely situations, mostly in the nude.
Stuart Snoddy, a painter based in the Midwest, creates “fantasies and fictions about imaginary people.” His oil works on paper and on canvas move between the wistful and the contemplative. And while Snoddy plays with form and hues, each of the artist’s pieces are distinctly human.
Primarily using newspapers and tape, Will Kurtz creates everyday, life-sized people and animal companions. The artist, a native of Flint, Michigan, is able to convey flourishes of realism, even with these unlikely materials. The artist, now based in Brooklyn, says his work hinges on capturing moments in time.
Gosia, a Poland-born, Toronto-based sculptor, creates feminine figures with touches of the surreal, whether reflecting the natural world or expressions that extend from inside of the characters themselves. Each of these sculptures contain both elegance and emotional complexity, often containing a new sense of drama at each angle. The artist was featured in Hi-Fructose Vol. 41, and she was last mentioned on HiFructose.com here.
Australian-Spanish artist Tom “Dilly” Littleson works as an illustrator and graphic designer in Melbourne. Littleson’s realistic pencil drawings are found in various publications across the world. These illustrations have wide-ranging subjects, yet the artist’s personal work most commonly seems to contain a visceral, sometimes gruesome quality contained within single characters. As unsettling as these tend to be, the subjects themselves don’t seem to be bothered by the mayhem.