This Saturday, Merry Karnowsky gallery will present three side by side solo shows by Los Angeles based artists Mercedes Helnwein, Kim Kimbro, and Vonn Sumner. Together, their new works are elaborate and psychologically intense, depicting dream like moments. Read more about their respective shows, “Mama Said Amen”, “The Queen of Calvary”, and “Gravity and Other Lies” after the jump.
Italian artist Marie-Esther (aka Gaia) draws sensitive portraits of women interrupted by overlaying abstract images. Her women have a multi faceted quality which she literally peels back in layers, revealing their emotion underneath. She describes her subjects as “a sort of icon of rationality, the way I see it. Geometric, cold. The rationality we need when people, or even our emotions hurt us.” We take a look at her mixed media “Transparency Series” after the jump.
Los Angeles based artists Karen Hsiao and Dan Quintana each evoke complex life themes in their figurative work. They will combine subject matter with “Perverse Foil”, opening August 2nd at Marcas Contemporary Art in Santa Ana. Hsiao, who is also a professional photographer, will be exhibiting original paintings and drawings in collaboration with Quintana, who has created surrealistic works based on her photos. A live demonstration at the opening will give attendees a look of their collaborative process. Take a look as we go behind the scenes after the jump.
So close, yet so far. It’s an idiom that seems to fit these curious, misty paintings by New York based artist Kristy Gordon. Her indirect self portraits and otherwise mundane scenes have a mysterious ambiance and depth. Gordon’s technique creates this illusion by depicting closer objects as paler, less detailed, in lower contrast than those away from us. At the same time, there is directness in the way she returns the observer’s gaze. Her treatment of atmosphere here sets the tone for the relationship between object and viewer. See more of her work after the jump.
Austrian illustrator Alice Wellinger paints ironic and surreal images inspired by her childhood and everyday life experiences as a woman. Wellinger’s paintings are a like patchwork of womanhood, often weaving female bodies with florals and other abstract, organic shapes. Her editorial illustration employs elements of cool surrealism with unapologetic messaging; from a fragile, porcelain-like vagina to more whimsical, like her pregnant Superwoman on a mission. Her imagination runs wild in her personal work. Wellinger’s artist statement on her website is simple: “I always try to tell a little story in my pictures – I like when people have something to think about.” See more after the jump!