A new group exhibition at Last Rites Gallery in New York is looking at how 4 different artists style the human figure: Alex Garant, Sarah Joncas, and collaborative artist duo Kit King and Corey Popp (aka “Oda”) make their subjects more exciting and complex by enhancing their portraits in various ways. Whether through color, line, shape, or dramatic composition, their subjects undergo a certain transformation in their works. Their collective exhibition, “Transfigure”, currently on view through October 3rd, explores this idea.
Conrad Roset is a watercolor and ink artist based out of his studio in Barcelona, Spain. Roset, who was profoundly influenced at a young age by the enigmatic Expressionist, Egon Scheile, explores the sensuality and fragility of the feminine form. Roset’s new paintings are a continuation of his “Muses” project, in which the artist searches for beauty in the effects of the watercolor and black India ink washes.
Meghan Howland is an oil painter currently working from her studio in Portland, Maine. With a pragmatic approach to creating, Howland shares with Hi-Fructose that painting allows her to express herself in ways that words simply cannot. While painting, she reflects on human spirituality and nature by studying the relationship of humanity to other organisms. Join us now as we get an exclusive look into Meghan Howland’s latest paintings, as well as a few of her thoughts about them.
The brutal paintings of Cleon Peterson (covered here) have a visceral effect on the viewer, plunging them deeply into a world of chaos, ruin and violence. On August 29th, Peterson brings his iconic style to Detroit’s Library Street Collective for his latest exhibition, “Poison.” “The show is about revenge, which is a current of poison running through our culture and other cultures around the world.” Peterson shares. “It’s often a motivation for war and a justification for punishment. It is a social impulse that is destructive and easy to be complicit in.” Peterson is deliberate in his unflinching presentation of the darker side of human nature. In this world, muscle-headed brutes cross swords and knives, locked in a cycle of aggression.
Dallas, Texas based artist Michael Reeder paints eclectic portraits that explore ideas about identity. Reeder is fascinated by the various characteristics that define us, and his works mix those elements both stylistically and conceptually. While his main interest is modern identity, the figures he portrays often have a classical quality. He renders their faces as if he were chiseling away at marble, redefined with abstract and exaggerated features with blank eyes (ancient statue eyes were painted or inlaid.) His portraits aren’t meant to be accurate representations. Rather, he considers portraiture to be more like a reinvention of his subjects, which takes place at their simplest form.
Currently living and working in the idyllic town of Urtijëi, Italy, sculptor Willy Verginer shares a closeness with his environment in both technique and concept. His surreal wooden sculptures are carved from a single linden tree trunk with incredible precision and detail. Although their features are classical, Verginer paints bold stripes of color across his figures and poses them in awkward positions, making them completely contemporary. Previously covered here, he’s often paired his figures of women, men, and young children with other animals and objects that don’t fit together. His most recent pieces, which are on currently view at Galerie Van Campen & Rochtus in Belgium, pairs them with oil barrels.