Movement and expression are key characteristics in the work of North Carolina based painter Taylor White. Featured here on our blog, her paintings and murals are instantly recognizable for her chaotic portrayal of bodies which appear to break apart. White has said that she sees the human body as a fragile form, describing her work as an exploration of our emotions.
Canadian artist Alexandra Levasseur (previously covered here) has new oil and acrylic paintings on view at Mirus Gallery, “Body of Land”. Her tormented yet feminine subjects, painted in an expressionist style, make a reappearance as if out of a dream. Levasseur’s artwork has always exhibited dreamlike qualities. Here, her subjects exist somewhere between a deep subconscious state and wakefulness. We find them melting into abstract landscapes, non-descript yet wild and untouched. In some of her most gestural work to date, physical form and nature are combined to create a single “body of land.”
Tokyo based painter Yugo Kohrogi sees life through a unique filter. His exhibition “Ripple”, now on view at Cashi gallery in Tokyo, presents interpretations of the female form with a ripple effect. Kohrogi’s images undulate with an invisible energy that changes from piece to piece. Looking through broken glass or a watery surface might distort an image differently, and it’s these subtle differences that Kohrogi observes.
This Saturday, Mari Inukai is returning to Giant Robot with her expressive new series, titled “Marilla Blue and Orange”. Inukai has long experimented with personal symbolism that blends her fantasy and reality worlds together. For this upcoming show, she takes a step into her imaginary world and brings her recurring subjects, including her daughter, and characters with her. Her narrative begins with a charming collection of pencil drawings, which she brings to life in illustrative paintings.
Boston based artist Laurie Kaplowitz describes herself as a “figurative painter committed to Expressive Figuration”. In other words, Kaplowitz creates imagery focused on expressing her emotions, portrayed as ghostly, textured figures. Stylistically, she takes inspiration from Italian Renaissance painter Titian. He reportedly used layers and glazes in his portraits to represent the layers of human identity. Kapolowitz uses the same approach in her process by painting the portrait over and over again until it resonates off the canvas. At the same time, the subject appears light and airy as if disappearing into space. Her art experienced a change in style around 2010, which we feature here.