In a mid-career retrospective exhibition at the Mesa Contemporary Arts Museum, Esao Andrews offers paintings that span his career. “Petrichor,” curated by Thinkspace Projects, looks at the riveting, pop surrealist output from the artist, over the past several years. The exhibition kicks off next month on May 10 and runs through Aug. 4. Andrews is featured in the Hi-Fructose Collected Volume 2 Hardcover.
Esao Andrews (HF Vol. 22), João Ruas (HF Vol. 23), and Aaron Horkey are three artists who each share a penchant for stylization and design. Feeling inspired, Aaron Horkey suggested they get together for a new exhibition at Thinkspace Gallery titled “The Gilded Age”. The real Gilded Age took place during late 19th century America, coined by writer Mark Twain, who satirized the era as serious social problems masked by a thin gold gilding. Their exhibit embodies the concept of gilding in the artists’ unique combination of illustration and graphic design.
Ever the astute aesthete, Esao Andrews (previously covered in HF Vol. 8 and online) brings a renewed sense of clarity and purpose to his latest body of work. His new paintings will be featured at NYC’s Jonathan LeVine Gallery from October 11 through November 8 for Andrews’s upcoming solo show, “Epilogues.” For this series, the artist embraced some of his signature motifs, bringing them back into the studio and furthering their growth. The ongoing narrative in his work, as Andrews tells us, needed a conclusion, a way to say farewell and move forward with his pursuits. This exhibition of painting provides him with just that: closure. In “Epilogues,” we are treated to a visual feast of some of Andrews’s most well-known images as they would appear as aged, matured and weathered in his trademark tonality, creating transcendent moments of haunted familiarity.