Louise Riley, an artist based in the London, began sewing because frankly, she was “too fast at painting.” She found that embroidery, in particular, gave her a chance to really immerse herself and understand what she was creating. And then one day, she tried a new experiment, using a mattress as her canvas.
Diane Meyer emulates pixels and digital imaging with cross-stitched embroidery, sewn into her photos. Whether it’s a series of travel captures or her own, personal family snaps, Meyer explores both intersecting eras of photography and the concept of memory itself. The result is something that both distorts and celebrates the longevity of these experiences.
“I love bodies,” says artist Sally Hewett. “It is not the conventionally beautiful bodies that take my eye, it is bodies which show their history, that have been altered by their experience.” The UK based sculptor centers her works on the ugliness and imperfections of our bodies, and uses the prettiness of embroidery to offset how we view them. Describing her sculptures as a divide between craft and art, Hewett’s sculptures play around with our perceptions of ourselves and what needs to be “fixed”.
We’ve covered many fantastically strange and unusual embroidered works on our blog over the years, but sporting equipment wins as the most unconventional choice. Cape Town, South Africa based VJ-photographer-textile artist Danielle Clough (who goes by “Fiance Knowles” on instagram) breathes new life into vintage wooden tennis rackets with her decorative embroideries. Her beautifully clever series titled “What a Racket” has nothing to do with tennis however (“Does this count as being interested in sport?” Clough jokes at her website.) Instead, she describes her work as a celebration of color, featuring florals like roses, tulips, and succulents like aloe, sewn onto classic Badminton rackets.
Earlier this month, we shared with you the intriguing embroidered installations by Beijing based artist Gao Rong, uncanny and realistic replicas of her childhood home in inner Mongolia. Using the Chinese embroidery she learned growing up as her primary technique, Rong was able to create stunning copies of artifacts from her memories for that series. Her new series applies the same handicraft but to a much more minimal, even painstaking degree. Aptly titled “The Simple Line”, Rong goes in the opposite direction of her complicated and detailed spaces and embraces simplicity and abstraction.
Chinese artist Gao Rong uses the handicraft she was taught as a child to create unbelievably realistic replicas of her gradparents’ home and parts of their surrounding neighborhood in inner Mongolia. Rong doesn’t consider herself an embroiderer, but rather a sculptor who uses embroidery. She likens her installations to sculpture, made from materials like cloth, cotton and sponge supported by metal frames to recreate things that would otherwise go unnoticed- thousands of tiny stitches are layered onto the fabric to create the effect of rust on pipes and peeling wallpaper.