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The beinArt Surreal Art Collective’s Kickstarter stretch-goal is almost 70% funded with only 48 hours to go! If the target is reached, the collective will open a new gallery space focusing on strange and imaginative figurative art. Exciting rewards for backers have been added throughout the campaign, such as drastically discounted original art, limited edition prints, signed art books, and more! These deals will only be available for the next 48 hours!
by Nastia VoynovskayaPosted on

Jeremy Fish’s solo show “Yesterdays and Tomorrows” at San Francisco’s FFDG has a carefully planned installation. Black lines on the gallery’s left wall outline a cartoon thought bubble that houses almost 20 years worth of drawings; on the parallel wall of the narrow space, mural-scale paintings hang inside the hollow outlines of cartoon bunnies painted directly on the room’s surface. But at the opening night of “Yesterdays and Tomorrows,” it was difficult to even get close enough to see these meticulous details. A huge crowd had amassed to celebrate an informal retrospective of one of San Francisco’s most well-known artists from the past two decades.

by Nastia VoynovskayaPosted on

Illustrator Kate Lacour describes her work with three words: “body horror beauty.” More silly than terrifying, her “Bodies” series of drawings remixes factual textbook-style anatomy diagrams, transforming the make-up of the human body into kaleidoscopic arrangements of limbs and organs. Lacour achieves visually pleasing symmetrical compositions through strange juxtapositions of parts. In one piece, the musculature of two faces intertwines like an infinity symbol, nestled inside a female pelvis that has been opened up for view. In others, she incorporates Buddhist imagery (the lotus position, open-palmed hand gestures) — perhaps to show that these bodies shouldn’t inspire fear but rather expose a new perspective on the structures we take for granted.