by Andy SmithPosted on

The fantastical graphite drawings of Ethan Murrow have a sense of both realism and absurdism in how they examine the Western experience. In particular, Murrow has a fascination with discovery and reckoning with the world around us. Murrow was last featured on HiFructose.com here.

by Andy SmithPosted on


Amy Cutler’s gouache narratives explore womanhood and the Western experience through surrealism and icons of domestication. The Poughkeepsie-artist plays with pattern and texture in these scenes, pulled from both contemporary design and historical fashions. Her work has been shown in solo shows from New York to Stockholm.

by Andy SmithPosted on


Visoth Kakvei, a Cambodia-born artist who resides in Maine, crafts intricate, illusion-filled drawings inside of his sketchbook.The artist sometimes digitally enhances these works, further pushing the absorbing nature of his work and keeping the viewer guessing which aspects of the work are inherent and which are affected.

by Andy SmithPosted on

In the past, Jillian Dickson’s colored pencil drawings blended flowers and female anatomy. With “My Undies,” the artist’s realistic, vibrant style highlights a different brand of intimate imagery. The artist says that “the reality of women’s underwear seems to be one big dirty secret.”

by Sponsored PostPosted on

The beinArt Surreal Art Collective’s Kickstarter stretch-goal is almost 70% funded with only 48 hours to go! If the target is reached, the collective will open a new gallery space focusing on strange and imaginative figurative art. Exciting rewards for backers have been added throughout the campaign, such as drastically discounted original art, limited edition prints, signed art books, and more! These deals will only be available for the next 48 hours!
by Nastia VoynovskayaPosted on

Jeremy Fish’s solo show “Yesterdays and Tomorrows” at San Francisco’s FFDG has a carefully planned installation. Black lines on the gallery’s left wall outline a cartoon thought bubble that houses almost 20 years worth of drawings; on the parallel wall of the narrow space, mural-scale paintings hang inside the hollow outlines of cartoon bunnies painted directly on the room’s surface. But at the opening night of “Yesterdays and Tomorrows,” it was difficult to even get close enough to see these meticulous details. A huge crowd had amassed to celebrate an informal retrospective of one of San Francisco’s most well-known artists from the past two decades.