by Andy SmithPosted on

In the series “Marquees Tropica,” illustrator Ardneks crafted works “reflecting different stages” of his personal life, with each completed with a single song on repeat. The result is a set of vibrant, wild works packed with details to decipher. The artist’s practice has included album covers for multiple acts, but this series takes a decidedly intimate slant, as compared to those pieces. The above work, titled “COASTAL JUiCEBOX” was made alongside the tune
“風の回廊(コリドー)” by Tatsuro Yamashita.

by Andy SmithPosted on

Known for his lush and provocative illustrations and comics, Spanish artist Carles G.O’D. is the center of a major show at Tabularasa Tekè Gallery in Italy next month. “Closer to Heaven” kicks off on June 14 in the space and runs through Aug. 3. The massive trove of works on display include original drawings, comic pages, prints from his major projects, and more.

by Andy SmithPosted on

David Fullarton balances striking figurative drawing with humorous and conceptual text work, with recent work that leans wholly in either direction. His recent plates, in particular, show his knack for the deceptively simple. Fullarton was last featured on HiFructose.com here.

by Andy SmithPosted on

Lulu Lin’s drawings subvert the human form in surprising and engrossing ways, whether in her editorial illustrations or personal work. In recent work for MAYDAY magazine, Migrant Journal, and other publications, these cascading faces fill the page and offer a tension in both repelling and garnering fixation.

by Andy SmithPosted on

Yuko Shimizu’s illustrations continue to captivate, whether they adorn books, magazine stories, comic book coveries, or gallery walls. The New York City-based, Japan-born artist is known for a diverse client list, from NIKE and The New York Times to Library of Congress. As usual, Shimizu shares thorough process documentation online, showing how she crafts her professional and personal work on a granular level.

by Andy SmithPosted on

Anna Park’s charcoal drawings are kinetic and absorbing, each scene embedded in crowd activity. The action seems to move between revelry and violence, the faces of her subjects distorted and disappearing. The artist also integrates varying sensibilities into these works and moves between cartoonish and realistic rendering.