Brandon Locher is a New York-based visual artist and musician with a prolific output in both areas. His “Mazes to the Motherlode” portfolio contains 50 pieces of art created over the past few years. These ink and graphite labyrinths differ in approach and convolution, yet all are alluring in their intricacies.
Illustrator Zoe Keller‘s absorbing, hyperdetailed odes to the natural world are rendered in graphite and ink. The Portland-based artist uses landscapes, field guides, and her own memories to source the varied flora and fauna that appear in her works. The artist says that she blends “hints of narrative” into her natural explorations.
In a new collection of paintings and drawings, Kevin Cyr pays tribute to the working class via worn vehicles spotted and documented around New York City. “Labor Day” at Jonathan Levine Projects in New Jersey progresses the artist’s love affair with the concept of what vehicles say about the people who drive them. Cyr first appeared in the pages of this magazine in Hi-Fructose Vol. 10, and he’s part of the “Turn the Page: The First 10 Years of Hi-Fructose” exhibit, currently at Crocker Art Museum.
Jess Johnson’s drawings and mixed-media works are meticulous in design, yet wild and otherworldly in content. Throughout her work, the New Zealand-born artist implements text to help provide more information and riddles about these strange worlds. Her new show at New York’s Jack Hanley Gallery, “Everything not saved will be lost,” collects these works, plus large-scale and absorbing installations.
Spanish artist Liqen somehow moves between the paper and the public wall without compromising his intricate, absorbing linework. His wild creations often carry surreal sensibilities and a hidden treasure in every corner. The artist’s work tends to be influenced by an early passion in nature, and in specific, the diversity of species and sights it provides.
Scott M. Fischer is widely known for his illustrative works, whether it’s comic book covers, kids’ books, concept design, or game art. Yet his fine art practice, free from the confines of depicting set characters or situations, offers a different look at the artist. His hyperdetailed, dreamlike works recall both classical influences and a contemporary edge, while blending digital and traditional tools.