Jenna Andersen, an artist/illustrator based in Williamsburg, Va., creates immersive, hyperdetailed scenes, often with surreal overtones. The artist often injects only pops of color into her personal work, rendering natural backdrops in intricate linework, with her animal and human subjects as the pieces’ points of entry. In other works, these typically monochromatic settings are given lush, gouache hues.
Massive drawings by Brianna Angelakis are absorbing self-portraits, placing the artist among contorted shapes and forms. The graphite work impresses at any distance, and in a statement, the artist explains her pursuit in these portraits and her own state as being “transfixed by beauty, I remain stationary amid the nonsensical world. Through a metamorphosis, my past failures transform into elements of beauty, as I become a fantastical monument to my vexation, acting within the spectacle of the absurd.” She was last featured on HiFructose.com here.
Los Angeles-based artist Sergio Barrale, who creates enormous, absorbing drawings, is now featured his first major solo show. “Our Private Religion” opens on Saturday (April 1) at Last Rites Gallery and runs through April 22. Barrale was last mentioned on HiFructose.com here, and he was included in Hi-Fructose Magazine Vol. 41.
Illustrator Mad Meg constructs massive drawings that contain layers upon layers. She often uses insect heads as a recurring visual theme, adapting even pieces from art history into new works and satire. But further than that, pieces like “Patriarch No. 4,” at 39 inches by 79 inches, contain bewildering detail on a micro level.
Ivan Meshkov, an artist based in Chelyabinsk, Russia, used pencil and ink to create moody, hyperdetailed works often adorned with skulls, squids, and other iconography often found in tattoo culture. His work can be seen on album cover from bands of varying genres, including acts like Black Urn, Ruhr, Potlatch, Humbaba, Human Sprawl, and others.
Anton Vill, an Estonia-based artist, crafts intricate, surreal drawings of wild scenes and characters. Though Vill’s background was in concept art, working in pre-production in films like “Mad Max: Fury Road,” Vill pivoted toward illustration in recent years. The result is a world overrun by hordes of babies and unsettling creatures. Vill was last featured on HiFructose.com here.