James Jean’s fantastical acrylic paintings and digital works are absorbing, even if viewers aren’t offered a specific storyline for each work. In his latest works, the artist packs even more abstraction, hues, and icons into these tales. Often, his paintings offer surreal interplay between humans and the animal world. Jean was last featured on HiFructose.com here.
Tel-Aviv-based artist Ori Toor creates prints and animations that rely on happy accidents. His so-called “gibberish” prints are unplanned and unsketched. These vibrant, trippy works merely stumble upon familiar icons and forms, creating final products that both exhibit a single vibe and can be seen as disparate, otherworldly sections.
Antony Crossfield, an artist based in London, manipulates his photographs to create new ways of looking at our natural forms. Series like “Second Skin” take the outer shell of the human body and pushes it outside of the boundaries of superficiality. It’s in these exercises that Crossfield aims to “to present the body not as a protective envelope that defines and unifies our limits, but as an organ of physical and psychical interchange between bodies.”
Max Guther, a 25-year-old illustrator living in Germany, Guther creates “digital collages by transforming photographic material, textures and self-constructed objects.” The artist uses a top-down perspective reminiscent of computer games of yesterday, offering both a voyeuristic and broad point of view. In a series of illustrations titled “The Goodlife,” Guther explores the balance of relaxation, work, and “social environment.”
Chad Knight’s vibrant digital art moves between the meditative and the frenetic. A 3D designer with Nike by the day, the artist’s personal work seems to exist in alien worlds, with his works being made in Cinema 4D. These are places inhabited enormous, elaborate beings that appear in mid-evolution. The artist posts a new creation each day on his Instagram account, part of an ongoing, prolific effort.
Russian artist Uno Moralez crafts images that are a throwback to seemingly less sophisticated, earlier days of digital art. Yet, what the artist has done is forge a novel, fascinating way to communicate narrative. They’re not quite comics, yet Moralez often depends on more than one image to share his stories, which move between pulp, campy horror, sci-fi, or something stranger and dream-like.